Author: | Ellery Queen | ISBN: | 9781504019187 |
Publisher: | MysteriousPress.com/Open Road | Publication: | September 22, 2015 |
Imprint: | MysteriousPress.com/Open Road | Language: | English |
Author: | Ellery Queen |
ISBN: | 9781504019187 |
Publisher: | MysteriousPress.com/Open Road |
Publication: | September 22, 2015 |
Imprint: | MysteriousPress.com/Open Road |
Language: | English |
A Hollywood romance cuts to a screenwriter’s death scene in this classic from the legendary mystery author.
Casey Blake is the only modest man in Hollywood, which is lucky, because an ego is something screenwriters can’t afford. Blake makes his living churning out B movies for Joe Maddox, an actor turned producer who somehow got the strange idea that a well-written script is something worth paying for. Blake’s latest is Ill Wind, a taut thriller that could bring in an Oscar—if Maddox can keep his leading lady from burning down the set.
Madeleine D’Arcy has a bad habit of sleeping with her male costars. When she can’t bed them, she either throws a tantrum or turns her toxic affection toward a member of the crew. This time, her target is Blake, and she chases him with a deadly abandon that could put the film over budget—and land the screenwriter in the morgue.
A Hollywood romance cuts to a screenwriter’s death scene in this classic from the legendary mystery author.
Casey Blake is the only modest man in Hollywood, which is lucky, because an ego is something screenwriters can’t afford. Blake makes his living churning out B movies for Joe Maddox, an actor turned producer who somehow got the strange idea that a well-written script is something worth paying for. Blake’s latest is Ill Wind, a taut thriller that could bring in an Oscar—if Maddox can keep his leading lady from burning down the set.
Madeleine D’Arcy has a bad habit of sleeping with her male costars. When she can’t bed them, she either throws a tantrum or turns her toxic affection toward a member of the crew. This time, her target is Blake, and she chases him with a deadly abandon that could put the film over budget—and land the screenwriter in the morgue.