Sheep's Vigil by a Fervent Person: A transelation of Alberto Caeiro / Fernando Pessoa's O Guardador de Rebanhos

Fiction & Literature, Poetry, Continental European
Cover of the book Sheep's Vigil by a Fervent Person: A transelation of Alberto Caeiro / Fernando Pessoa's O Guardador de Rebanhos by Erin Moure, House of Anansi Press Inc
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Erin Moure ISBN: 9780887849244
Publisher: House of Anansi Press Inc Publication: December 15, 2009
Imprint: Language: English
Author: Erin Moure
ISBN: 9780887849244
Publisher: House of Anansi Press Inc
Publication: December 15, 2009
Imprint:
Language: English
A temporary move to Toronto in the winter of 2000, a twisted ankle, an empty house -- all inspired Moure as she read Alberto Caeiro/Fernando Pessoa's classic long poem O Guardador de Rebanhos. For fun, she started to translate, altering tones and vocabularies. From the Portuguese countryside and roaming sheep of 1914, a 21st century Toronto emerged, its neighbourhoods still echoing the 1950s, their dips and hollows, hordes of wild cats, paved creeks. Her poem became a translation, a transcreation, the jubilant and irrepressible vigil of a fervent person. "Suddenly," says Moure impishly, "I had found my master." Caeiro's sheep were his thoughts and his thoughts, he claimed, were all sensations. Moure's sheep are stray cats and from her place in Caeiro's poetry, she creates a woman alive in an urban world where the rural has not vanished, where the archaic suffuses us even when we do not beckon it, and yet the present tense floods us fully.
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
A temporary move to Toronto in the winter of 2000, a twisted ankle, an empty house -- all inspired Moure as she read Alberto Caeiro/Fernando Pessoa's classic long poem O Guardador de Rebanhos. For fun, she started to translate, altering tones and vocabularies. From the Portuguese countryside and roaming sheep of 1914, a 21st century Toronto emerged, its neighbourhoods still echoing the 1950s, their dips and hollows, hordes of wild cats, paved creeks. Her poem became a translation, a transcreation, the jubilant and irrepressible vigil of a fervent person. "Suddenly," says Moure impishly, "I had found my master." Caeiro's sheep were his thoughts and his thoughts, he claimed, were all sensations. Moure's sheep are stray cats and from her place in Caeiro's poetry, she creates a woman alive in an urban world where the rural has not vanished, where the archaic suffuses us even when we do not beckon it, and yet the present tense floods us fully.

More books from House of Anansi Press Inc

Cover of the book Ana Historic by Erin Moure
Cover of the book I Hid My Voice by Erin Moure
Cover of the book Food and Fuel by Erin Moure
Cover of the book Samuel's New Voyage by Erin Moure
Cover of the book Liminal by Erin Moure
Cover of the book river woman by Erin Moure
Cover of the book The Real World of Technology by Erin Moure
Cover of the book Necessary Illusions by Erin Moure
Cover of the book 1953: Chronicle of a Birth Foretold by Erin Moure
Cover of the book Winter: Five Windows on the Season by Erin Moure
Cover of the book Glorious & Free by Erin Moure
Cover of the book The Two Sisters of Borneo by Erin Moure
Cover of the book Captive by Erin Moure
Cover of the book Compassion and Solidarity by Erin Moure
Cover of the book The Rivers North of the Future by Erin Moure
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy