Shakespeare, the Queen's Men, and the Elizabethan Performance of History

Fiction & Literature, Literary Theory & Criticism, British, Nonfiction, Entertainment, Performing Arts
Cover of the book Shakespeare, the Queen's Men, and the Elizabethan Performance of History by Brian Walsh, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Brian Walsh ISBN: 9780511850660
Publisher: Cambridge University Press Publication: December 10, 2009
Imprint: Cambridge University Press Language: English
Author: Brian Walsh
ISBN: 9780511850660
Publisher: Cambridge University Press
Publication: December 10, 2009
Imprint: Cambridge University Press
Language: English

The Elizabethan history play was one of the most prevalent dramatic genres of the 1590s, and so was a major contribution to Elizabethan historical culture. The genre has been well served by critical studies that emphasize politics and ideology; however, there has been less interest in the way history is interrogated as an idea in these plays. Drawing in period-sensitive ways on the field of contemporary performance theory, this book looks at the Shakespearean history play from a fresh angle, by first analyzing the foundational work of the Queen's Men, the playing company that invented the popular history play. Through innovative readings of their plays including The Famous Victories of Henry V before moving on to Shakespeare's 1 Henry VI, Richard III, and Henry V, this book investigates how the Queen's Men's self-consciousness about performance helped to shape Shakespeare's dramatic and historical imagination.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The Elizabethan history play was one of the most prevalent dramatic genres of the 1590s, and so was a major contribution to Elizabethan historical culture. The genre has been well served by critical studies that emphasize politics and ideology; however, there has been less interest in the way history is interrogated as an idea in these plays. Drawing in period-sensitive ways on the field of contemporary performance theory, this book looks at the Shakespearean history play from a fresh angle, by first analyzing the foundational work of the Queen's Men, the playing company that invented the popular history play. Through innovative readings of their plays including The Famous Victories of Henry V before moving on to Shakespeare's 1 Henry VI, Richard III, and Henry V, this book investigates how the Queen's Men's self-consciousness about performance helped to shape Shakespeare's dramatic and historical imagination.

More books from Cambridge University Press

Cover of the book Models of Man by Brian Walsh
Cover of the book Monoidal Topology by Brian Walsh
Cover of the book Pharmacology for Anaesthesia and Intensive Care by Brian Walsh
Cover of the book The Advance of the State in Contemporary China by Brian Walsh
Cover of the book Optimal Transport by Brian Walsh
Cover of the book Theresienstadt 1941–1945 by Brian Walsh
Cover of the book The Limits of Altruism in Democratic Athens by Brian Walsh
Cover of the book How to Fold It by Brian Walsh
Cover of the book Magic in Western Culture by Brian Walsh
Cover of the book Genetic Suspects by Brian Walsh
Cover of the book Ritual Sites and Religious Rivalries in Late Roman North Africa by Brian Walsh
Cover of the book The Single Life in the Roman and Later Roman World by Brian Walsh
Cover of the book Architecture and Ritual in the Churches of Constantinople by Brian Walsh
Cover of the book Advocacy Organizations and Collective Action by Brian Walsh
Cover of the book The Cambridge Companion to Pushkin by Brian Walsh
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy