Shakespeare, Romeo and Juliet, and Civic Life

The Boundaries of Civic Space

Fiction & Literature, Literary Theory & Criticism, British
Cover of the book Shakespeare, Romeo and Juliet, and Civic Life by , Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781317556961
Publisher: Taylor and Francis Publication: September 16, 2015
Imprint: Routledge Language: English
Author:
ISBN: 9781317556961
Publisher: Taylor and Francis
Publication: September 16, 2015
Imprint: Routledge
Language: English

This volume introduces ‘civic Shakespeare’ as a new and complex category entailing the dynamic relation between the individual and the community on issues of authority, liberty, and cultural production. It investigates civic Shakespeare through Romeo and Juliet as a case study for an interrogation of the limits and possibilities of theatre and the idea of the civic. The play’s focus on civil strife, political challenge, and the rise of a new conception of the individual within society makes it an ideal site to examine how early modern civic topics were received and reconfigured on stage, and how the play has triggered ever new interpretations and civic performances over time. The essays focus on the way the play reflects civic life through the dramatization of issues of crisis and reconciliation when private and public spaces are brought to conflict, but also concentrate on the way the play has subsequently entered the public space of civic life. Set within the fertile context of performance studies and inspired by philosophical and sociological approaches, this book helps clarify the role of theatre within civic space while questioning the relation between citizens as spectators and the community. The wide-ranging chapters cover problems of civil interaction and their onstage representation, dealing with urban and household spaces; the boundaries of social relations and legal, economic, political, and religious regulation; and the public dimension of memory and celebration. This volume articulates civic Romeo and Juliet from the sources of genre to contemporary multicultural performances in political contact-zones and civic ‘Shakespaces,’ exploring the Bard and this play within the context of communal practices and their relations with institutions and civic interests.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This volume introduces ‘civic Shakespeare’ as a new and complex category entailing the dynamic relation between the individual and the community on issues of authority, liberty, and cultural production. It investigates civic Shakespeare through Romeo and Juliet as a case study for an interrogation of the limits and possibilities of theatre and the idea of the civic. The play’s focus on civil strife, political challenge, and the rise of a new conception of the individual within society makes it an ideal site to examine how early modern civic topics were received and reconfigured on stage, and how the play has triggered ever new interpretations and civic performances over time. The essays focus on the way the play reflects civic life through the dramatization of issues of crisis and reconciliation when private and public spaces are brought to conflict, but also concentrate on the way the play has subsequently entered the public space of civic life. Set within the fertile context of performance studies and inspired by philosophical and sociological approaches, this book helps clarify the role of theatre within civic space while questioning the relation between citizens as spectators and the community. The wide-ranging chapters cover problems of civil interaction and their onstage representation, dealing with urban and household spaces; the boundaries of social relations and legal, economic, political, and religious regulation; and the public dimension of memory and celebration. This volume articulates civic Romeo and Juliet from the sources of genre to contemporary multicultural performances in political contact-zones and civic ‘Shakespaces,’ exploring the Bard and this play within the context of communal practices and their relations with institutions and civic interests.

More books from Taylor and Francis

Cover of the book The Contemporary Middle East by
Cover of the book Nigerian Historical Studies by
Cover of the book The Cultural Leadership Handbook by
Cover of the book The Decentring of the Traditional University by
Cover of the book Formatting Religion by
Cover of the book India's Development and Public Policy by
Cover of the book Understanding the Classical Music Profession by
Cover of the book Scoring the Rorschach by
Cover of the book Human Rights in Postcolonial India by
Cover of the book The Great War by
Cover of the book Wars and Peace Treaties by
Cover of the book Forming Nation, Framing Welfare by
Cover of the book Domestic Violence in Diverse Contexts by
Cover of the book Sport, Exercise, and Performance Psychology by
Cover of the book Adobe Photoshop Elements 10: Maximum Performance by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy