Shakespeare's Spiral

Tracing the Snail in King Lear and Renaissance Painting

Fiction & Literature, Literary Theory & Criticism, British, Nonfiction, Art & Architecture, General Art, Religion & Spirituality, Philosophy
Cover of the book Shakespeare's Spiral by François Xavier Gleyzon, UPA
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: François Xavier Gleyzon ISBN: 9780761848936
Publisher: UPA Publication: March 19, 2010
Imprint: UPA Language: English
Author: François Xavier Gleyzon
ISBN: 9780761848936
Publisher: UPA
Publication: March 19, 2010
Imprint: UPA
Language: English

Shakespeare's Spiral aims to explore a figure forgotten in the dramatic texts of Shakespeare and in Renaissance painting: the snail. Taking as its point of departure the emergence of the gastropod object/subject in the text of King Lear as well as its iconic interface in Giovanni Bellini's painting Allegory of Falsehood (circa 1490), this study sets out to follow the particular path traced by the snail throughout the Iuvre. From the central scene in which the metaphor of the snail and of its shell is specifically made manifest when Lear discovers, in a raging storm, the spectacle of Edgar disguised as Poor Tom coming out of his shelter (III.3.6-9) to the monster, this fiend, displaying on the cliffs of Dover, 'horms whelked and waved like the enridg_d sea' (IV.6.71), this work is the trace of a narrative - of a journey of the gaze - during the course of which the cryptic question of the gastropod - 'Why a Snail [_]?' (I.5.26) - does not cease to be developed and transformed. Incorporating a wide-ranging post-structuralist critique, the study aims to bring to light the particular functions of this 'revealing detail' in both its textual and visual dimension so as to put forward a new and innovatory understanding of the tragedy of King Lear.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Shakespeare's Spiral aims to explore a figure forgotten in the dramatic texts of Shakespeare and in Renaissance painting: the snail. Taking as its point of departure the emergence of the gastropod object/subject in the text of King Lear as well as its iconic interface in Giovanni Bellini's painting Allegory of Falsehood (circa 1490), this study sets out to follow the particular path traced by the snail throughout the Iuvre. From the central scene in which the metaphor of the snail and of its shell is specifically made manifest when Lear discovers, in a raging storm, the spectacle of Edgar disguised as Poor Tom coming out of his shelter (III.3.6-9) to the monster, this fiend, displaying on the cliffs of Dover, 'horms whelked and waved like the enridg_d sea' (IV.6.71), this work is the trace of a narrative - of a journey of the gaze - during the course of which the cryptic question of the gastropod - 'Why a Snail [_]?' (I.5.26) - does not cease to be developed and transformed. Incorporating a wide-ranging post-structuralist critique, the study aims to bring to light the particular functions of this 'revealing detail' in both its textual and visual dimension so as to put forward a new and innovatory understanding of the tragedy of King Lear.

More books from UPA

Cover of the book Black Vanguards and Black Gangsters by François Xavier Gleyzon
Cover of the book Gun Violence in American Society by François Xavier Gleyzon
Cover of the book Head Games by François Xavier Gleyzon
Cover of the book I'd Rather Be Dead Than Be a Girl by François Xavier Gleyzon
Cover of the book Intellectual Citizenship and the Problem of Incarnation by François Xavier Gleyzon
Cover of the book To the Ends of the Earth by François Xavier Gleyzon
Cover of the book School Social Work Services in Federally Funded Programs by François Xavier Gleyzon
Cover of the book African Religion Defined by François Xavier Gleyzon
Cover of the book Basic Physics for All by François Xavier Gleyzon
Cover of the book Women in the Biblical World by François Xavier Gleyzon
Cover of the book Ecofeminism by François Xavier Gleyzon
Cover of the book The Rhetorical Short Story by François Xavier Gleyzon
Cover of the book The Dismantling of Brazil's Old Republic by François Xavier Gleyzon
Cover of the book The Brain and Educational Connections by François Xavier Gleyzon
Cover of the book Jonathan Edwards on Justification by François Xavier Gleyzon
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy