Seurat: Drawings 90 Colour Plates

Nonfiction, Art & Architecture, Art History, European, General Art, Art Technique, Drawing
Cover of the book Seurat: Drawings 90 Colour Plates by Maria Peitcheva, Maria Peitcheva
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Maria Peitcheva ISBN: 9788892547278
Publisher: Maria Peitcheva Publication: January 20, 2016
Imprint: Language: English
Author: Maria Peitcheva
ISBN: 9788892547278
Publisher: Maria Peitcheva
Publication: January 20, 2016
Imprint:
Language: English

An important Post-Impressionist French painter, Georges Seurat moved away from the apparent spontaneity and rapidity of Impressionism and developed a structured, more monumental art to depict modern urban life. Seurat studied avant-garde painting techniques, especially Impressionism and the latest scientific theories pertaining to light and color. From 1885 to 1886 he developed the divisionist depicting. This new style, which consisted of systematically applied small touches of un-modulated color, was based on contemporary optical theories of color relationships. For several of his large compositions, Seurat painted many small studies. For his study drawings hee used black Conté crayon to create gradations of tone on the textured paper, achieving effects akin to those in his pointillist paintings, in which he juxtaposed dots of pure colors that blended optically to produce another color.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

An important Post-Impressionist French painter, Georges Seurat moved away from the apparent spontaneity and rapidity of Impressionism and developed a structured, more monumental art to depict modern urban life. Seurat studied avant-garde painting techniques, especially Impressionism and the latest scientific theories pertaining to light and color. From 1885 to 1886 he developed the divisionist depicting. This new style, which consisted of systematically applied small touches of un-modulated color, was based on contemporary optical theories of color relationships. For several of his large compositions, Seurat painted many small studies. For his study drawings hee used black Conté crayon to create gradations of tone on the textured paper, achieving effects akin to those in his pointillist paintings, in which he juxtaposed dots of pure colors that blended optically to produce another color.

More books from Maria Peitcheva

Cover of the book Piranesi: Drawings Colour Plates by Maria Peitcheva
Cover of the book Petrov-Vodkin: 192 Colour Plates by Maria Peitcheva
Cover of the book Guercino: Drawings Colour Plates by Maria Peitcheva
Cover of the book Toulouse Lautrec: Drawings Colour Plates by Maria Peitcheva
Cover of the book George Bellows: 205 Colour Plates by Maria Peitcheva
Cover of the book Rubens: Drawings 140 Colour Plates by Maria Peitcheva
Cover of the book Parmigianino: Drawings Colour Plates by Maria Peitcheva
Cover of the book Odilon Redon: 197 Colour Plates by Maria Peitcheva
Cover of the book Gericault: 178 Colour Plates by Maria Peitcheva
Cover of the book Petrov-Vodkin Drawings:Colour Plates by Maria Peitcheva
Cover of the book Odilon Redon: Drawings Colour Plates by Maria Peitcheva
Cover of the book Vereshchagin Drawings: Colour Plates by Maria Peitcheva
Cover of the book Paul Gauguin: 235 Plates by Maria Peitcheva
Cover of the book Camille Corot: Drawings 114 Colour Plates by Maria Peitcheva
Cover of the book Jacques Louis David: 229 Colour Plates by Maria Peitcheva
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy