Scenes and Characters of the Middle Ages

Nonfiction, Religion & Spirituality, New Age, History, Fiction & Literature
Cover of the book Scenes and Characters of the Middle Ages by Edward Lewes Cutts, Library of Alexandria
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Edward Lewes Cutts ISBN: 9781465581938
Publisher: Library of Alexandria Publication: March 8, 2015
Imprint: Language: English
Author: Edward Lewes Cutts
ISBN: 9781465581938
Publisher: Library of Alexandria
Publication: March 8, 2015
Imprint:
Language: English
We do not aim in these chapters at writing general history, or systematic treatises. Our business is to give a series of sketches of mediæval life and mediæval characters, looked at especially from the artist's point of view. And first we have to do with the monks of the Middle Ages. One branch of this subject has already been treated in Mrs. Jameson's “Legends of the Monastic Orders.” This accomplished lady has very pleasingly narrated the traditionary histories of the founders and saints of the orders, which have furnished subjects for the greatest works of mediæval art; and she has placed monachism before her readers in its noblest and most poetical aspect. Our humbler task is to give a view of the familiar daily life of ordinary monks in their monasteries, and of the way in which they enter into the general life without the cloister;—such a sketch as an art-student might wish to have who is about to study that picturesque mediæval period of English history for subjects for his pencil. The religious orders occupied so important a position in mediæval society, that they cannot be overlooked by the historical student; and the flowing black robe and severe intellectual features of the Benedictine monk, or the coarse frock and sandalled feet of the mendicant friar, are too characteristic and too effective, in contrast with the gleaming armour and richly-coloured and embroidered robes of the sumptuous civil costumes of the period, to be neglected by the artist. Such an art-student would desire first to have a general sketch of the whole history of monachism, as a necessary preliminary to the fuller study of any particular portion of it. He would wish for a sketch of the internal economy of the cloister; how the various buildings of a monastery were arranged; and what was the daily routine of the life of its inmates. He would seek to know under what circumstances these recluses mingled with the outer world. He would require accurate particulars of costumes and the like antiquarian details, that the accessories of his picture might be correct. And, if his monks are to be anything better than representations of monkish habits hung upon “lay figures,” he must know what kind of men the Middle Age monks were intellectually and morally. These particulars we proceed to supply as fully as the space at our command will permit. Monachism arose in Egypt. As early as the second century we read of men and women who, attracted by the charms of a peaceful, contemplative life, far away from the fierce, sensual, persecuting heathen world, betook themselves to a life of solitary asceticism. The mountainous desert on the east of the Nile valley was their favourite resort; there they lived in little hermitages, rudely piled up of stones, or hollowed out of the mountain side, or in the cells of the ancient Egyptian sepulchres, feeding on pulse and herbs, and water from the neighbouring spring.
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
We do not aim in these chapters at writing general history, or systematic treatises. Our business is to give a series of sketches of mediæval life and mediæval characters, looked at especially from the artist's point of view. And first we have to do with the monks of the Middle Ages. One branch of this subject has already been treated in Mrs. Jameson's “Legends of the Monastic Orders.” This accomplished lady has very pleasingly narrated the traditionary histories of the founders and saints of the orders, which have furnished subjects for the greatest works of mediæval art; and she has placed monachism before her readers in its noblest and most poetical aspect. Our humbler task is to give a view of the familiar daily life of ordinary monks in their monasteries, and of the way in which they enter into the general life without the cloister;—such a sketch as an art-student might wish to have who is about to study that picturesque mediæval period of English history for subjects for his pencil. The religious orders occupied so important a position in mediæval society, that they cannot be overlooked by the historical student; and the flowing black robe and severe intellectual features of the Benedictine monk, or the coarse frock and sandalled feet of the mendicant friar, are too characteristic and too effective, in contrast with the gleaming armour and richly-coloured and embroidered robes of the sumptuous civil costumes of the period, to be neglected by the artist. Such an art-student would desire first to have a general sketch of the whole history of monachism, as a necessary preliminary to the fuller study of any particular portion of it. He would wish for a sketch of the internal economy of the cloister; how the various buildings of a monastery were arranged; and what was the daily routine of the life of its inmates. He would seek to know under what circumstances these recluses mingled with the outer world. He would require accurate particulars of costumes and the like antiquarian details, that the accessories of his picture might be correct. And, if his monks are to be anything better than representations of monkish habits hung upon “lay figures,” he must know what kind of men the Middle Age monks were intellectually and morally. These particulars we proceed to supply as fully as the space at our command will permit. Monachism arose in Egypt. As early as the second century we read of men and women who, attracted by the charms of a peaceful, contemplative life, far away from the fierce, sensual, persecuting heathen world, betook themselves to a life of solitary asceticism. The mountainous desert on the east of the Nile valley was their favourite resort; there they lived in little hermitages, rudely piled up of stones, or hollowed out of the mountain side, or in the cells of the ancient Egyptian sepulchres, feeding on pulse and herbs, and water from the neighbouring spring.

More books from Library of Alexandria

Cover of the book Sir Mortimer: A Novel by Edward Lewes Cutts
Cover of the book The Foolish Dictionary by Edward Lewes Cutts
Cover of the book Supernatural Religion: An Inquiry Into the Reality of Divine Revelation (Complete) by Edward Lewes Cutts
Cover of the book Prose Fancies (Complete) by Edward Lewes Cutts
Cover of the book The Passport by Edward Lewes Cutts
Cover of the book Histoire De La Prostitution Chez Tous Les Peuples Du Monde Depuis L'antiquité La Plus Reculée Jusqu'à Nos Jours, Tome I by Edward Lewes Cutts
Cover of the book The Campaign of Sedan: The Downfall of the Second Empire, August-September 1870 by Edward Lewes Cutts
Cover of the book Among Malay Pirates: A Tale of Adventure and Peril by Edward Lewes Cutts
Cover of the book Emma Goldman: Biographical Sketch by Edward Lewes Cutts
Cover of the book The Voice on the Wire by Edward Lewes Cutts
Cover of the book Wilson's Tales of The Borders and of Scotland, XXII by Edward Lewes Cutts
Cover of the book By Pike and Dyke: a Tale of The Rise of The Dutch Republic by Edward Lewes Cutts
Cover of the book Björnstjerne Björnson, 1832-1910 by Edward Lewes Cutts
Cover of the book The Hawk of Egypt by Edward Lewes Cutts
Cover of the book The Vicar of Tours by Edward Lewes Cutts
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy