Sacred Plunder

Venice and the Aftermath of the Fourth Crusade

Nonfiction, History, Western Europe, Italy, Medieval
Cover of the book Sacred Plunder by David M. Perry, Penn State University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: David M. Perry ISBN: 9780271066837
Publisher: Penn State University Press Publication: March 6, 2015
Imprint: Penn State University Press Language: English
Author: David M. Perry
ISBN: 9780271066837
Publisher: Penn State University Press
Publication: March 6, 2015
Imprint: Penn State University Press
Language: English

In Sacred Plunder, David Perry argues that plundered relics, and narratives about them, played a central role in shaping the memorial legacy of the Fourth Crusade and the development of Venice’s civic identity in the thirteenth century. After the Fourth Crusade ended in 1204, the disputes over the memory and meaning of the conquest began. Many crusaders faced accusations of impiety, sacrilege, violence, and theft. In their own defense, they produced hagiographical narratives about the movement of relics—a medieval genre called translatio*—*that restated their own versions of events and shaped the memory of the crusade. The recipients of relics commissioned these unique texts in order to exempt both the objects and the people involved with their theft from broader scrutiny or criticism. Perry further demonstrates how these narratives became a focal point for cultural transformation and an argument for the creation of the new Venetian empire as the city moved from an era of mercantile expansion to one of imperial conquest in the thirteenth century.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In Sacred Plunder, David Perry argues that plundered relics, and narratives about them, played a central role in shaping the memorial legacy of the Fourth Crusade and the development of Venice’s civic identity in the thirteenth century. After the Fourth Crusade ended in 1204, the disputes over the memory and meaning of the conquest began. Many crusaders faced accusations of impiety, sacrilege, violence, and theft. In their own defense, they produced hagiographical narratives about the movement of relics—a medieval genre called translatio*—*that restated their own versions of events and shaped the memory of the crusade. The recipients of relics commissioned these unique texts in order to exempt both the objects and the people involved with their theft from broader scrutiny or criticism. Perry further demonstrates how these narratives became a focal point for cultural transformation and an argument for the creation of the new Venetian empire as the city moved from an era of mercantile expansion to one of imperial conquest in the thirteenth century.

More books from Penn State University Press

Cover of the book Finding Kluskap by David M. Perry
Cover of the book Editing the Soul by David M. Perry
Cover of the book The Art of Translating Poetry by David M. Perry
Cover of the book Toledo Cathedral by David M. Perry
Cover of the book The Athenian Republic by David M. Perry
Cover of the book S. Weir Mitchell, 1829–1914 by David M. Perry
Cover of the book Mortal Gods by David M. Perry
Cover of the book Speaking Hatefully by David M. Perry
Cover of the book Alchemical Belief by David M. Perry
Cover of the book Emancipation and Illusion by David M. Perry
Cover of the book The Image of Bar Kokhba in Traditional Jewish Literature by David M. Perry
Cover of the book Restoring Democracy to America by David M. Perry
Cover of the book Sustaining Civil Society by David M. Perry
Cover of the book Lost Worlds by David M. Perry
Cover of the book Invading Colombia by David M. Perry
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy