Roman Artefacts and Society

Design, Behaviour, and Experience

Nonfiction, Social & Cultural Studies, Social Science, Archaeology, History, Ancient History
Cover of the book Roman Artefacts and Society by Ellen Swift, OUP Oxford
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Ellen Swift ISBN: 9780191087998
Publisher: OUP Oxford Publication: February 9, 2017
Imprint: OUP Oxford Language: English
Author: Ellen Swift
ISBN: 9780191087998
Publisher: OUP Oxford
Publication: February 9, 2017
Imprint: OUP Oxford
Language: English

In this book, Ellen Swift uses design theory, previously neglected in Roman archaeology, to investigate Roman artefacts in a new way, making a significant contribution to both Roman social history, and our understanding of the relationships that exist between artefacts and people. Based on extensive data collection and the close study of artefacts from museum collections and archives, the book examines the relationship between artefacts, everyday behaviour, and experience. The concept of 'affordances'-features of an artefact that make possible, and incline users towards, particular uses for functional artefacts-is an important one for the approach taken. This concept is carefully evaluated by considering affordances in relation to other sources of evidence, such as use-wear, archaeological context, the end-products resulting from artefact use, and experimental reconstruction. Artefact types explored in the case studies include locks and keys, pens, shears, glass vessels, dice, boxes, and finger-rings, using material mainly drawn from the north-western Roman provinces, with some material also from Roman Egypt. The book then considers how we can use artefacts to understand particular aspects of Roman behaviour and experience, including discrepant experiences according to factors such as age, social position, and left- or right-handedness, which are fostered through artefact design. The relationship between production and users of artefacts is also explored, investigating what particular production methods make possible in terms of user experience, and also examining production constraints that have unintended consequences for users. The book examines topics such as the perceived agency of objects, differences in social practice across the provinces, cultural change and development in daily practice, and the persistence of tradition and social convention. It shows that design intentions, everyday habits of use, and the constraints of production processes each contribute to the reproduction and transformation of material culture.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In this book, Ellen Swift uses design theory, previously neglected in Roman archaeology, to investigate Roman artefacts in a new way, making a significant contribution to both Roman social history, and our understanding of the relationships that exist between artefacts and people. Based on extensive data collection and the close study of artefacts from museum collections and archives, the book examines the relationship between artefacts, everyday behaviour, and experience. The concept of 'affordances'-features of an artefact that make possible, and incline users towards, particular uses for functional artefacts-is an important one for the approach taken. This concept is carefully evaluated by considering affordances in relation to other sources of evidence, such as use-wear, archaeological context, the end-products resulting from artefact use, and experimental reconstruction. Artefact types explored in the case studies include locks and keys, pens, shears, glass vessels, dice, boxes, and finger-rings, using material mainly drawn from the north-western Roman provinces, with some material also from Roman Egypt. The book then considers how we can use artefacts to understand particular aspects of Roman behaviour and experience, including discrepant experiences according to factors such as age, social position, and left- or right-handedness, which are fostered through artefact design. The relationship between production and users of artefacts is also explored, investigating what particular production methods make possible in terms of user experience, and also examining production constraints that have unintended consequences for users. The book examines topics such as the perceived agency of objects, differences in social practice across the provinces, cultural change and development in daily practice, and the persistence of tradition and social convention. It shows that design intentions, everyday habits of use, and the constraints of production processes each contribute to the reproduction and transformation of material culture.

More books from OUP Oxford

Cover of the book Food Fortification by Ellen Swift
Cover of the book Mental Files in Flux by Ellen Swift
Cover of the book Demosthenes the Orator by Ellen Swift
Cover of the book Medieval Writers and their Work by Ellen Swift
Cover of the book Sugar and Spice by Ellen Swift
Cover of the book The German Myth of the East by Ellen Swift
Cover of the book Women of Substance in Homeric Epic by Ellen Swift
Cover of the book Killing in War by Ellen Swift
Cover of the book Authoritarian Regionalism in the World of International Organizations by Ellen Swift
Cover of the book Elective Monarchy in Transylvania and Poland-Lithuania, 1569-1587 by Ellen Swift
Cover of the book Martin Luther: A Very Short Introduction by Ellen Swift
Cover of the book Between Saying and Doing : Towards an Analytic Pragmatism by Ellen Swift
Cover of the book Taken For A Ride by Ellen Swift
Cover of the book Merchants of Labor by Ellen Swift
Cover of the book Martyrs and Murderers by Ellen Swift
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy