Robert Coover and the Generosity of the Page

Fiction & Literature, Literary Theory & Criticism
Cover of the book Robert Coover and the Generosity of the Page by Stephane Vanderhaeghe, Dalkey Archive Press
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Author: Stephane Vanderhaeghe ISBN: 9781564788429
Publisher: Dalkey Archive Press Publication: March 5, 2013
Imprint: Dalkey Archive Press Language: English
Author: Stephane Vanderhaeghe
ISBN: 9781564788429
Publisher: Dalkey Archive Press
Publication: March 5, 2013
Imprint: Dalkey Archive Press
Language: English

Robert Coover and the Generosity of the Page is an unconventional study of Robert Coover's work from his early masterpiece The Origin of the Brunists (1966) to the recent Noir (2010). Written in the second person, it offers a self-reflexive investigation into the ways in which Coover's stories often challenge the reader to resist the conventions of sense-making and even literary criticism. By portraying characters lost in surroundings they often fail to grasp, Coover's work playfully enacts a "(melo)drama of cognition" that mirrors the reader's own desire to interpret and make sense of texts in unequivocal ways. This tendency in Coover's writing is indicative of a larger refusal of the ready-made, of the once-and-for-all or the authoritative, celebrating instead, in its generosity, the widening of possibilities—thus inevitably forcing the reader-critic to acknowledge the arbitrariness and artificiality of her responses.

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Robert Coover and the Generosity of the Page is an unconventional study of Robert Coover's work from his early masterpiece The Origin of the Brunists (1966) to the recent Noir (2010). Written in the second person, it offers a self-reflexive investigation into the ways in which Coover's stories often challenge the reader to resist the conventions of sense-making and even literary criticism. By portraying characters lost in surroundings they often fail to grasp, Coover's work playfully enacts a "(melo)drama of cognition" that mirrors the reader's own desire to interpret and make sense of texts in unequivocal ways. This tendency in Coover's writing is indicative of a larger refusal of the ready-made, of the once-and-for-all or the authoritative, celebrating instead, in its generosity, the widening of possibilities—thus inevitably forcing the reader-critic to acknowledge the arbitrariness and artificiality of her responses.

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