Reconstituting the American Renaissance

Emerson, Whitman, and the Politics of Representation

Fiction & Literature, Literary Theory & Criticism, American, Nonfiction, History, Americas, United States, 19th Century
Cover of the book Reconstituting the American Renaissance by Jay Grossman, Donald E. Pease, Duke University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Jay Grossman, Donald E. Pease ISBN: 9780822384533
Publisher: Duke University Press Publication: July 18, 2003
Imprint: Duke University Press Books Language: English
Author: Jay Grossman, Donald E. Pease
ISBN: 9780822384533
Publisher: Duke University Press
Publication: July 18, 2003
Imprint: Duke University Press Books
Language: English

Challenging the standard periodization of American literary history, Reconstituting the American Renaissance reinterprets the works of Ralph Waldo Emerson and Walt Whitman and the relationship of these two authors to each other. Jay Grossman argues that issues of political representation—involving vexed questions of who shall speak and for whom—lie at the heart of American political and literary discourse from the revolutionary era through the Civil War. By taking the mid-nineteenth-century period, traditionally understood as marking the advent of literary writing in the United States, and restoring to it the ways in which Emerson and Whitman engaged with eighteenth-century controversies, rhetorics, and languages about politicalrepresentation, Grossman departs significantly from arguments that have traditionally separated American writing in the eighteenth and nineteenth centuries.

Reconstituting the American Renaissance describes how Emerson and Whitman came into the period of their greatest productivity with different conceptions of the functions and political efficacy of the word in the world. It challenges Emerson’s position as Whitman’s necessary precursor and offers a cultural history that emphasizes the two writers’ differences in social class, cultural experience, and political perspective. In their writings between 1830 and 1855, the book finds contrasting conceptions of the relations between the “representative man” and the constituencies to whom, and for whom, he speaks. Reconstituting the American Renaissance opens up the canonical relationship between Emerson and Whitman and multiplies the historical and discursive contexts for understanding their published and unpublished works.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Challenging the standard periodization of American literary history, Reconstituting the American Renaissance reinterprets the works of Ralph Waldo Emerson and Walt Whitman and the relationship of these two authors to each other. Jay Grossman argues that issues of political representation—involving vexed questions of who shall speak and for whom—lie at the heart of American political and literary discourse from the revolutionary era through the Civil War. By taking the mid-nineteenth-century period, traditionally understood as marking the advent of literary writing in the United States, and restoring to it the ways in which Emerson and Whitman engaged with eighteenth-century controversies, rhetorics, and languages about politicalrepresentation, Grossman departs significantly from arguments that have traditionally separated American writing in the eighteenth and nineteenth centuries.

Reconstituting the American Renaissance describes how Emerson and Whitman came into the period of their greatest productivity with different conceptions of the functions and political efficacy of the word in the world. It challenges Emerson’s position as Whitman’s necessary precursor and offers a cultural history that emphasizes the two writers’ differences in social class, cultural experience, and political perspective. In their writings between 1830 and 1855, the book finds contrasting conceptions of the relations between the “representative man” and the constituencies to whom, and for whom, he speaks. Reconstituting the American Renaissance opens up the canonical relationship between Emerson and Whitman and multiplies the historical and discursive contexts for understanding their published and unpublished works.

More books from Duke University Press

Cover of the book Cosmopolitan Archaeologies by Jay Grossman, Donald E. Pease
Cover of the book Sessue Hayakawa by Jay Grossman, Donald E. Pease
Cover of the book Minority Rules by Jay Grossman, Donald E. Pease
Cover of the book Callaloo Nation by Jay Grossman, Donald E. Pease
Cover of the book Everynight Life by Jay Grossman, Donald E. Pease
Cover of the book Caribbean Journeys by Jay Grossman, Donald E. Pease
Cover of the book Domination and Cultural Resistance by Jay Grossman, Donald E. Pease
Cover of the book Beyond the Lettered City by Jay Grossman, Donald E. Pease
Cover of the book The End of Nomadism? by Jay Grossman, Donald E. Pease
Cover of the book A Primer for Teaching African History by Jay Grossman, Donald E. Pease
Cover of the book The Color of Sex by Jay Grossman, Donald E. Pease
Cover of the book Spreading the Word by Jay Grossman, Donald E. Pease
Cover of the book Belated Travelers by Jay Grossman, Donald E. Pease
Cover of the book Challenging Social Inequality by Jay Grossman, Donald E. Pease
Cover of the book Street Archives and City Life by Jay Grossman, Donald E. Pease
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy