Rebel Voices: Monologues for Women by Women

Celebrating 40 Years of Clean Break Theatre Company

Biography & Memoir, Entertainment & Performing Arts, Fiction & Literature, Drama, Nonfiction, Entertainment, Performing Arts
Cover of the book Rebel Voices: Monologues for Women by Women by Alice Birch, Linda Brogan, Ms Deborah Bruce, Ms Katherine Chandler, Sarah Daniels, Ms Suhayla El-Bushra, Sonya Hale, Ms Katie Hims, Theresa Ikoko, Bryony Lavery, Laura Lomas, Ms Sabrina Mahfouz, Winsome Pinnock, Danni Brown, Annie Caulfield, Lin Coghlan, Raina Dunne, Vivienne Franzmann, Jacqueline Holborough, Daisy King, Lucy Kirkwood, Rebecca Lenkiewicz, Morgan Lloyd-Malcolm, Natasha Marshall, Chloe Moss, Chinoyerem Odimba, Rena Owen, Rebecca Prichard, Ursula Rani Sarma, Anna Reynolds, Somalia Seaton, Shelley Silas, Sandrine Uwayo, Naomi Wallace, Bloomsbury Publishing
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Author: Alice Birch, Linda Brogan, Ms Deborah Bruce, Ms Katherine Chandler, Sarah Daniels, Ms Suhayla El-Bushra, Sonya Hale, Ms Katie Hims, Theresa Ikoko, Bryony Lavery, Laura Lomas, Ms Sabrina Mahfouz, Winsome Pinnock, Danni Brown, Annie Caulfield, Lin Coghlan, Raina Dunne, Vivienne Franzmann, Jacqueline Holborough, Daisy King, Lucy Kirkwood, Rebecca Lenkiewicz, Morgan Lloyd-Malcolm, Natasha Marshall, Chloe Moss, Chinoyerem Odimba, Rena Owen, Rebecca Prichard, Ursula Rani Sarma, Anna Reynolds, Somalia Seaton, Shelley Silas, Sandrine Uwayo, Naomi Wallace ISBN: 9781350097513
Publisher: Bloomsbury Publishing Publication: May 2, 2019
Imprint: Methuen Drama Language: English
Author: Alice Birch, Linda Brogan, Ms Deborah Bruce, Ms Katherine Chandler, Sarah Daniels, Ms Suhayla El-Bushra, Sonya Hale, Ms Katie Hims, Theresa Ikoko, Bryony Lavery, Laura Lomas, Ms Sabrina Mahfouz, Winsome Pinnock, Danni Brown, Annie Caulfield, Lin Coghlan, Raina Dunne, Vivienne Franzmann, Jacqueline Holborough, Daisy King, Lucy Kirkwood, Rebecca Lenkiewicz, Morgan Lloyd-Malcolm, Natasha Marshall, Chloe Moss, Chinoyerem Odimba, Rena Owen, Rebecca Prichard, Ursula Rani Sarma, Anna Reynolds, Somalia Seaton, Shelley Silas, Sandrine Uwayo, Naomi Wallace
ISBN: 9781350097513
Publisher: Bloomsbury Publishing
Publication: May 2, 2019
Imprint: Methuen Drama
Language: English

Clean Break is a British theatre company set up in 1979 by two women in prison. It exists to tell the stories of women with experience of the criminal justice system and to transform women's lives through theatre.

Over 40 years, Clean Break has commissioned some of the most progressive and brilliant women writers to write ground-breaking plays, alongside developing the writing skills of the women they work with in its London studios and in prisons. This is a collection of monologues from this canon.

Rebel Voices: Monologues for Women by Women celebrates the opportunities inherent when women represent themselves. Offering female performers a diverse set of monologues reflecting a range of characters in age, ethnicity and lived experience, the material is drawn from a mix of published and unpublished works.

This book is for any performer who does not see themselves represented in mainstream plays, for lovers of radical women's theatre and for rebels everywhere who believe that the act of speaking and being heard can create change.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Clean Break is a British theatre company set up in 1979 by two women in prison. It exists to tell the stories of women with experience of the criminal justice system and to transform women's lives through theatre.

Over 40 years, Clean Break has commissioned some of the most progressive and brilliant women writers to write ground-breaking plays, alongside developing the writing skills of the women they work with in its London studios and in prisons. This is a collection of monologues from this canon.

Rebel Voices: Monologues for Women by Women celebrates the opportunities inherent when women represent themselves. Offering female performers a diverse set of monologues reflecting a range of characters in age, ethnicity and lived experience, the material is drawn from a mix of published and unpublished works.

This book is for any performer who does not see themselves represented in mainstream plays, for lovers of radical women's theatre and for rebels everywhere who believe that the act of speaking and being heard can create change.

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