Quentin Tarantino

Interviews, Revised and Updated

Nonfiction, Entertainment, Film, Direction & Production, Performing Arts
Cover of the book Quentin Tarantino by , University Press of Mississippi
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781617038761
Publisher: University Press of Mississippi Publication: October 21, 2013
Imprint: University Press of Mississippi Language: English
Author:
ISBN: 9781617038761
Publisher: University Press of Mississippi
Publication: October 21, 2013
Imprint: University Press of Mississippi
Language: English

Here, in his own colorful, slangy words, is the true American Dream saga of a self-proclaimed "film geek," with five intense years working in a video store, who became one of the most popular, recognizable, and imitated of all filmmakers. His dazzling, movie-informed work makes Quentin Tarantino's reputation, from his breakout film, Reservoir Dogs (1992), through Kill Bill: Vol. 1 (2003) and Kill Bill: Vol. 2 (2004), his enchanted homages to Asian action cinema, to his rousing tribute to guys-on-a-mission World War II movie, Inglourious Basterds (2009). For those who prefer a more mature, contemplative cinema, Tarantino provided the tender, very touching Jackie Brown (1997). A masterpiece--Pulp Fiction (1994). A delightful mash of unabashed exploitation and felt social consciousness--his latest opus, Django Unchained (2012).

From the beginning, Tarantino (b. 1963)--affable, open, and enthusiastic about sharing his adoration of movies--has been a journalist's dream. Quentin Tarantino: Interviews, revised and updated with twelve new interviews, is a joy to read cover to cover because its subject has so much interesting and provocative to say about his own movies and about cinema in general, and also about his unusual life. He is frank and revealing about growing up in Los Angeles with a single, half-Cherokee mother, and dropping out of ninth grade to take acting classes. Lost and confused, he still managed a gutsy ambition: young Quentin decided he would be a filmmaker.

Tarantino has conceded that Ordell (Samuel L. Jackson), the homicidal African American con man in Jackie Brown, is an autobiographical portrait. "If I hadn't wanted to make movies, I would have ended up as Ordell," Tarantino has explained. "I wouldn't have been a postman or worked at the phone company. . . . I would have gone to jail."

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Here, in his own colorful, slangy words, is the true American Dream saga of a self-proclaimed "film geek," with five intense years working in a video store, who became one of the most popular, recognizable, and imitated of all filmmakers. His dazzling, movie-informed work makes Quentin Tarantino's reputation, from his breakout film, Reservoir Dogs (1992), through Kill Bill: Vol. 1 (2003) and Kill Bill: Vol. 2 (2004), his enchanted homages to Asian action cinema, to his rousing tribute to guys-on-a-mission World War II movie, Inglourious Basterds (2009). For those who prefer a more mature, contemplative cinema, Tarantino provided the tender, very touching Jackie Brown (1997). A masterpiece--Pulp Fiction (1994). A delightful mash of unabashed exploitation and felt social consciousness--his latest opus, Django Unchained (2012).

From the beginning, Tarantino (b. 1963)--affable, open, and enthusiastic about sharing his adoration of movies--has been a journalist's dream. Quentin Tarantino: Interviews, revised and updated with twelve new interviews, is a joy to read cover to cover because its subject has so much interesting and provocative to say about his own movies and about cinema in general, and also about his unusual life. He is frank and revealing about growing up in Los Angeles with a single, half-Cherokee mother, and dropping out of ninth grade to take acting classes. Lost and confused, he still managed a gutsy ambition: young Quentin decided he would be a filmmaker.

Tarantino has conceded that Ordell (Samuel L. Jackson), the homicidal African American con man in Jackie Brown, is an autobiographical portrait. "If I hadn't wanted to make movies, I would have ended up as Ordell," Tarantino has explained. "I wouldn't have been a postman or worked at the phone company. . . . I would have gone to jail."

More books from University Press of Mississippi

Cover of the book The Architecture of William Nichols by
Cover of the book Conversations with William Gibson by
Cover of the book Visionary Women Writers of Chicago's Black Arts Movement by
Cover of the book Delta Rainbow by
Cover of the book Reminiscences of an Active Life by
Cover of the book Dan Duryea by
Cover of the book Forty Acres and a Goat by
Cover of the book Toons in Toyland by
Cover of the book Out of Sight by
Cover of the book Bluebeard by
Cover of the book Power, Greed, and Hubris by
Cover of the book Tell about Night Flowers by
Cover of the book Comics and Adaptation by
Cover of the book Fifty Years after Faulkner by
Cover of the book On the Graphic Novel by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy