Queer Others in Victorian Gothic

Transgressing Monstrosity

Fiction & Literature, Literary Theory & Criticism, Gothic & Romantic
Cover of the book Queer Others in Victorian Gothic by Ardel Haefele-Thomas, University of Wales Press
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Author: Ardel Haefele-Thomas ISBN: 9781783164998
Publisher: University of Wales Press Publication: March 15, 2012
Imprint: University of Wales Press Language: English
Author: Ardel Haefele-Thomas
ISBN: 9781783164998
Publisher: University of Wales Press
Publication: March 15, 2012
Imprint: University of Wales Press
Language: English

Queer Others in Victorian Gothic: Transgressing Monstrosity explores the intersections of Gothic, cultural, gender, queer, socio-economic and postcolonial theories in nineteenth-century British representations of sexuality, gender, class and race. From mid-century authors like Wilkie Collins and Elizabeth Gaskell to fin-de-siècle writers such as J. Sheridan Le Fanu, Florence Marryat and Vernon Lee, this study examines the ways that these Victorian writers utilized gothic horror as a proverbial ‘safe space’ in which to grapple with taboo social and cultural issues. This work simultaneously explores our current assumptions about a Victorian culture that was monolithic in its disdain for those who were ‘other’.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Queer Others in Victorian Gothic: Transgressing Monstrosity explores the intersections of Gothic, cultural, gender, queer, socio-economic and postcolonial theories in nineteenth-century British representations of sexuality, gender, class and race. From mid-century authors like Wilkie Collins and Elizabeth Gaskell to fin-de-siècle writers such as J. Sheridan Le Fanu, Florence Marryat and Vernon Lee, this study examines the ways that these Victorian writers utilized gothic horror as a proverbial ‘safe space’ in which to grapple with taboo social and cultural issues. This work simultaneously explores our current assumptions about a Victorian culture that was monolithic in its disdain for those who were ‘other’.

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