Publishing the Science Fiction Canon

The Case of Scientific Romance

Nonfiction, Reference & Language, Language Arts, Writing & Publishing, Publishing, Fiction & Literature, Literary Theory & Criticism
Cover of the book Publishing the Science Fiction Canon by Adam Roberts, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Adam Roberts ISBN: 9781108571593
Publisher: Cambridge University Press Publication: September 30, 2018
Imprint: Cambridge University Press Language: English
Author: Adam Roberts
ISBN: 9781108571593
Publisher: Cambridge University Press
Publication: September 30, 2018
Imprint: Cambridge University Press
Language: English

Science fiction was being written throughout the seventeenth and eighteenth centuries, but it underwent a rapid expansion of cultural dissemination and popularity at the end of the nineteenth and beginning of the twentieth century. This Element explores the ways this explosion in interest in 'scientific romance', that informs today's global science fiction culture, manifests the specific historical exigences of the revolutions in publishing and distribution technology. H. G. Wells, Jules Verne and other science fiction writers embody in their art the advances in material culture that mobilize, reproduce and distribute with new rapidity, determining the cultural logic of twentieth-century science fiction in the process.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Science fiction was being written throughout the seventeenth and eighteenth centuries, but it underwent a rapid expansion of cultural dissemination and popularity at the end of the nineteenth and beginning of the twentieth century. This Element explores the ways this explosion in interest in 'scientific romance', that informs today's global science fiction culture, manifests the specific historical exigences of the revolutions in publishing and distribution technology. H. G. Wells, Jules Verne and other science fiction writers embody in their art the advances in material culture that mobilize, reproduce and distribute with new rapidity, determining the cultural logic of twentieth-century science fiction in the process.

More books from Cambridge University Press

Cover of the book Mobilizing the Russian Nation by Adam Roberts
Cover of the book Young People and the Future of News by Adam Roberts
Cover of the book The Joy of Science by Adam Roberts
Cover of the book Collective Rights by Adam Roberts
Cover of the book Separation of Molecules, Macromolecules and Particles by Adam Roberts
Cover of the book International Negotiation by Adam Roberts
Cover of the book The Cambridge Companion to Friedrich Schleiermacher by Adam Roberts
Cover of the book A Basic Course in Measure and Probability by Adam Roberts
Cover of the book The First Modern Risk by Adam Roberts
Cover of the book Renal Disease in Pregnancy by Adam Roberts
Cover of the book Governing the Climate by Adam Roberts
Cover of the book Biotic Evolution and Environmental Change in Southeast Asia by Adam Roberts
Cover of the book The Cambridge Companion to Ancient Mediterranean Religions by Adam Roberts
Cover of the book Magnetohydrodynamics of the Sun by Adam Roberts
Cover of the book Computing for Biologists by Adam Roberts
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy