Postmodernist Reality: Postmodernist Fiction, Realism, and the Representation of Reality

Nonfiction, Religion & Spirituality, Philosophy
Cover of the book Postmodernist Reality: Postmodernist Fiction, Realism, and the Representation of Reality by Linda Darling, Linda Darling
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Author: Linda Darling ISBN: 9781458142900
Publisher: Linda Darling Publication: March 20, 2011
Imprint: Smashwords Edition Language: English
Author: Linda Darling
ISBN: 9781458142900
Publisher: Linda Darling
Publication: March 20, 2011
Imprint: Smashwords Edition
Language: English

This eloquent introduction to postmodernism explores how post-war British fiction reinvents and re-evaluates the literary conventions of Realism. By exploring how classic literary devices such as the omniscient narrator, narrative closure, coherent narration and characterisation are reworked, the author shows how Realism is extended to portray the multiple realities that characterise our contemporary world.

The novels discussed include Peter Ackroyd’s Hawksmoor (1985), Kazuo Ishiguro’s When We Were Orphans (2000), Ian McEwan’s Atonement (2001), Julian Barnes’s Flaubert’s Parrot (1984), and A History of the World in 10½ Chapters (1989). By focusing on the modes these literary texts approach the relations between past and present, the elusiveness of history, and the distortions of memory, this study sets out to show how postmodern British fiction reconceptualises the reader’s conceptions of both historical knowledge and fiction.

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This eloquent introduction to postmodernism explores how post-war British fiction reinvents and re-evaluates the literary conventions of Realism. By exploring how classic literary devices such as the omniscient narrator, narrative closure, coherent narration and characterisation are reworked, the author shows how Realism is extended to portray the multiple realities that characterise our contemporary world.

The novels discussed include Peter Ackroyd’s Hawksmoor (1985), Kazuo Ishiguro’s When We Were Orphans (2000), Ian McEwan’s Atonement (2001), Julian Barnes’s Flaubert’s Parrot (1984), and A History of the World in 10½ Chapters (1989). By focusing on the modes these literary texts approach the relations between past and present, the elusiveness of history, and the distortions of memory, this study sets out to show how postmodern British fiction reconceptualises the reader’s conceptions of both historical knowledge and fiction.

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