Postcolonial Piracy

Media Distribution and Cultural Production in the Global South

Nonfiction, Social & Cultural Studies, Political Science, International, International Relations, Social Science
Cover of the book Postcolonial Piracy by , Bloomsbury Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781472519436
Publisher: Bloomsbury Publishing Publication: October 23, 2014
Imprint: Bloomsbury Academic Language: English
Author:
ISBN: 9781472519436
Publisher: Bloomsbury Publishing
Publication: October 23, 2014
Imprint: Bloomsbury Academic
Language: English

Across the global South, new media technologies have brought about new forms of cultural production, distribution and reception. The spread of cassette recorders in the 1970s; the introduction of analogue and digital video formats in the 80s and 90s; the pervasive availability of recycled computer hardware; the global dissemination of the internet and mobile phones in the new millennium: all these have revolutionised the access of previously marginalised populations to the cultural flows of global modernity.

Yet this access also engenders a pirate occupation of the modern: it ducks and deranges the globalised designs of property, capitalism and personhood set by the North. Positioning itself against Eurocentric critiques by corporate lobbies, libertarian readings or classical Marxist interventions, this volume offers a profound postcolonial revaluation of the social, epistemic and aesthetic workings of piracy. It projects how postcolonial piracy persistently negotiates different trajectories of property and self at the crossroads of the global and the local.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Across the global South, new media technologies have brought about new forms of cultural production, distribution and reception. The spread of cassette recorders in the 1970s; the introduction of analogue and digital video formats in the 80s and 90s; the pervasive availability of recycled computer hardware; the global dissemination of the internet and mobile phones in the new millennium: all these have revolutionised the access of previously marginalised populations to the cultural flows of global modernity.

Yet this access also engenders a pirate occupation of the modern: it ducks and deranges the globalised designs of property, capitalism and personhood set by the North. Positioning itself against Eurocentric critiques by corporate lobbies, libertarian readings or classical Marxist interventions, this volume offers a profound postcolonial revaluation of the social, epistemic and aesthetic workings of piracy. It projects how postcolonial piracy persistently negotiates different trajectories of property and self at the crossroads of the global and the local.

More books from Bloomsbury Publishing

Cover of the book Biblical Reception, 5 by
Cover of the book 600 Years in the Making by
Cover of the book Questioning EU Citizenship by
Cover of the book Concise Seashore Wildlife Guide by
Cover of the book Shrewsbury 1403 by
Cover of the book There Are No Secrets by
Cover of the book Very Long Range P-51 Mustang Units of the Pacific War by
Cover of the book Hopewell High: Eat Cake and Run by
Cover of the book Innovators in Digital News by
Cover of the book Modelling the Panzer IV in 1/72 scale by
Cover of the book Jenna & Jonah's Fauxmance by
Cover of the book The Archipelago by
Cover of the book Language Power and Hierarchy by
Cover of the book Reeds Marine Surveying by
Cover of the book Youth Culture and the Post-War British Novel by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy