Political Beethoven

Nonfiction, Entertainment, Music, Theory & Criticism, History & Criticism, Reference
Cover of the book Political Beethoven by Nicholas Mathew, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Nicholas Mathew ISBN: 9781139610056
Publisher: Cambridge University Press Publication: December 20, 2012
Imprint: Cambridge University Press Language: English
Author: Nicholas Mathew
ISBN: 9781139610056
Publisher: Cambridge University Press
Publication: December 20, 2012
Imprint: Cambridge University Press
Language: English

Musicians, music lovers and music critics have typically considered Beethoven's overtly political music as an aberration; at best, it is merely notorious, at worst, it is denigrated and ignored. In Political Beethoven, Nicholas Mathew returns to the musical and social contexts of the composer's political music throughout his career - from the early marches and anti-French war songs of the 1790s to the grand orchestral and choral works for the Congress of Vienna - to argue that this marginalized functional art has much to teach us about the lofty Beethovenian sounds that came to define serious music in the nineteenth century. Beethoven's much-maligned political compositions, Mathew shows, lead us into the intricate political and aesthetic contexts that shaped all of his oeuvre, thus revealing the stylistic, ideological and psycho-social mechanisms that gave Beethoven's music such a powerful voice - a voice susceptible to repeated political appropriation, even to the present day.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Musicians, music lovers and music critics have typically considered Beethoven's overtly political music as an aberration; at best, it is merely notorious, at worst, it is denigrated and ignored. In Political Beethoven, Nicholas Mathew returns to the musical and social contexts of the composer's political music throughout his career - from the early marches and anti-French war songs of the 1790s to the grand orchestral and choral works for the Congress of Vienna - to argue that this marginalized functional art has much to teach us about the lofty Beethovenian sounds that came to define serious music in the nineteenth century. Beethoven's much-maligned political compositions, Mathew shows, lead us into the intricate political and aesthetic contexts that shaped all of his oeuvre, thus revealing the stylistic, ideological and psycho-social mechanisms that gave Beethoven's music such a powerful voice - a voice susceptible to repeated political appropriation, even to the present day.

More books from Cambridge University Press

Cover of the book Cases in Emergency Airway Management by Nicholas Mathew
Cover of the book Computers and the Law by Nicholas Mathew
Cover of the book Freshwater Mussel Propagation for Restoration by Nicholas Mathew
Cover of the book The Cultural Politics of Obeah by Nicholas Mathew
Cover of the book Childhood in Modern Europe by Nicholas Mathew
Cover of the book American Literature in Transition, 1940–1950 by Nicholas Mathew
Cover of the book Mobility Data by Nicholas Mathew
Cover of the book Slavery and Emancipation in Islamic East Africa by Nicholas Mathew
Cover of the book Spider Behaviour by Nicholas Mathew
Cover of the book Auschwitz, the Allies and Censorship of the Holocaust by Nicholas Mathew
Cover of the book The Proud 6th by Nicholas Mathew
Cover of the book Harmony in Chopin by Nicholas Mathew
Cover of the book The Cambridge Companion to Willa Cather by Nicholas Mathew
Cover of the book The Conduct of Hostilities under the Law of International Armed Conflict by Nicholas Mathew
Cover of the book The Shadow Economy by Nicholas Mathew
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy