Plagiarism and Literary Property in the Romantic Period

Fiction & Literature, Literary Theory & Criticism, British
Cover of the book Plagiarism and Literary Property in the Romantic Period by Tilar J. Mazzeo, University of Pennsylvania Press, Inc.
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Tilar J. Mazzeo ISBN: 9780812202731
Publisher: University of Pennsylvania Press, Inc. Publication: April 23, 2013
Imprint: University of Pennsylvania Press Language: English
Author: Tilar J. Mazzeo
ISBN: 9780812202731
Publisher: University of Pennsylvania Press, Inc.
Publication: April 23, 2013
Imprint: University of Pennsylvania Press
Language: English

In a series of articles published in Tait's Magazine in 1834, Thomas DeQuincey catalogued four potential instances of plagiarism in the work of his friend and literary competitor Samuel Taylor Coleridge. DeQuincey's charges and the controversy they ignited have shaped readers' responses to the work of such writers as Coleridge, Lord Byron, William Wordsworth, and John Clare ever since. But what did plagiarism mean some two hundred years ago in Britain? What was at stake when early nineteenth-century authors levied such charges against each other? How would matters change if we were to evaluate these writers by the standards of their own national moment? And what does our moral investment in plagiarism tell us about ourselves and about our relationship to the Romantic myth of authorship?

In Plagiarism and Literary Property in the Romantic Period, Tilar Mazzeo historicizes the discussion of late eighteenth- and early nineteenth-century plagiarism and demonstrates that it had little in common with our current understanding of the term. The book offers a major reassessment of the role of borrowing, textual appropriation, and narrative mastery in British Romantic literature and provides a new picture of the period and its central aesthetic contests. Above all, Mazzeo challenges the almost exclusive modern association of Romanticism with originality and takes a fresh look at some of the most familiar writings of the period and the controversies surrounding them.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In a series of articles published in Tait's Magazine in 1834, Thomas DeQuincey catalogued four potential instances of plagiarism in the work of his friend and literary competitor Samuel Taylor Coleridge. DeQuincey's charges and the controversy they ignited have shaped readers' responses to the work of such writers as Coleridge, Lord Byron, William Wordsworth, and John Clare ever since. But what did plagiarism mean some two hundred years ago in Britain? What was at stake when early nineteenth-century authors levied such charges against each other? How would matters change if we were to evaluate these writers by the standards of their own national moment? And what does our moral investment in plagiarism tell us about ourselves and about our relationship to the Romantic myth of authorship?

In Plagiarism and Literary Property in the Romantic Period, Tilar Mazzeo historicizes the discussion of late eighteenth- and early nineteenth-century plagiarism and demonstrates that it had little in common with our current understanding of the term. The book offers a major reassessment of the role of borrowing, textual appropriation, and narrative mastery in British Romantic literature and provides a new picture of the period and its central aesthetic contests. Above all, Mazzeo challenges the almost exclusive modern association of Romanticism with originality and takes a fresh look at some of the most familiar writings of the period and the controversies surrounding them.

More books from University of Pennsylvania Press, Inc.

Cover of the book Deterring Rational Fanatics by Tilar J. Mazzeo
Cover of the book Crimes of Peace by Tilar J. Mazzeo
Cover of the book Behind the Killing Fields by Tilar J. Mazzeo
Cover of the book The Life of Benjamin Franklin, Volume 3 by Tilar J. Mazzeo
Cover of the book The Philanthropic Revolution by Tilar J. Mazzeo
Cover of the book The Research Triangle by Tilar J. Mazzeo
Cover of the book Misogyny by Tilar J. Mazzeo
Cover of the book Delaware's Forgotten Folk by Tilar J. Mazzeo
Cover of the book Made Flesh by Tilar J. Mazzeo
Cover of the book The Settlers' Empire by Tilar J. Mazzeo
Cover of the book Jean de Saintre by Tilar J. Mazzeo
Cover of the book Freud on Madison Avenue by Tilar J. Mazzeo
Cover of the book Unmarriages by Tilar J. Mazzeo
Cover of the book Democracy Disrupted by Tilar J. Mazzeo
Cover of the book Inexpressible Privacy by Tilar J. Mazzeo
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy