Philosophy in Stan Brakhage's Dog Star Man

World, Metaphor, Interpretation

Nonfiction, Religion & Spirituality, Philosophy, Phenomenology, Entertainment, Film
Cover of the book Philosophy in Stan Brakhage's Dog Star Man by Alberto Baracco, Springer International Publishing
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Author: Alberto Baracco ISBN: 9783030124267
Publisher: Springer International Publishing Publication: March 1, 2019
Imprint: Palgrave Pivot Language: English
Author: Alberto Baracco
ISBN: 9783030124267
Publisher: Springer International Publishing
Publication: March 1, 2019
Imprint: Palgrave Pivot
Language: English

This book shows how a masterpiece of experimental cinema can be interpreted through hermeneutics of the film world. As an application of Ricœurian methodology to a non-narrative film, the book calls into question the fundamental concept of the film world. Firmly rooted within the context of experimental cinema, Stan Brakhage’s Dog Star Man was not created on the basis of a narrative structure and representation of characters, places and events, but on very different presuppositions. The techniques with which Brakhage worked on celluloid and used frames as canvases, as well as his choice to make the film without dialogue and sound, exhort the interpreter to directly question the philosophical language of moving images.

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This book shows how a masterpiece of experimental cinema can be interpreted through hermeneutics of the film world. As an application of Ricœurian methodology to a non-narrative film, the book calls into question the fundamental concept of the film world. Firmly rooted within the context of experimental cinema, Stan Brakhage’s Dog Star Man was not created on the basis of a narrative structure and representation of characters, places and events, but on very different presuppositions. The techniques with which Brakhage worked on celluloid and used frames as canvases, as well as his choice to make the film without dialogue and sound, exhort the interpreter to directly question the philosophical language of moving images.

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