Phakama

Making Participatory Performance

Nonfiction, Entertainment, Theatre, Direction & Production, Performing Arts
Cover of the book Phakama by Fabio Santos, Lucy Richardson, Dr. Caoimhe McAvinchey, Bloomsbury Publishing
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Author: Fabio Santos, Lucy Richardson, Dr. Caoimhe McAvinchey ISBN: 9781474223645
Publisher: Bloomsbury Publishing Publication: February 22, 2018
Imprint: Methuen Drama Language: English
Author: Fabio Santos, Lucy Richardson, Dr. Caoimhe McAvinchey
ISBN: 9781474223645
Publisher: Bloomsbury Publishing
Publication: February 22, 2018
Imprint: Methuen Drama
Language: English

An international arts organisation and network engaging with music, dance, theatre and visual art, Phakama creates adventurous, site-responsive performances with large groups of people from diverse backgrounds. With contributions from participants, artists, academics and cultural commentators from India, Ireland, South Africa, the UK and USA, this book features case studies, interviews and articles covering two decades of practice. At the heart of the book is a selection of carefully explained and beautifully illustrated exercises which will enable Phakama's methodology to be used by organisations and practitioners working with young people internationally.

Phakama is a Xhosa and Zulu word for stand up, arise, empower yourself. With a focus on collaborative, non-hierarchical performance making, Phakama invites cultural sharing and critical engagement with the world we live in.

As well as engaging with political and critical concerns about contemporary theatre and performance, the book offers unique approaches to devising theatre, applied and social theatre, intercultural performance practices and pedagogic models of collaboration and cultural leadership.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

An international arts organisation and network engaging with music, dance, theatre and visual art, Phakama creates adventurous, site-responsive performances with large groups of people from diverse backgrounds. With contributions from participants, artists, academics and cultural commentators from India, Ireland, South Africa, the UK and USA, this book features case studies, interviews and articles covering two decades of practice. At the heart of the book is a selection of carefully explained and beautifully illustrated exercises which will enable Phakama's methodology to be used by organisations and practitioners working with young people internationally.

Phakama is a Xhosa and Zulu word for stand up, arise, empower yourself. With a focus on collaborative, non-hierarchical performance making, Phakama invites cultural sharing and critical engagement with the world we live in.

As well as engaging with political and critical concerns about contemporary theatre and performance, the book offers unique approaches to devising theatre, applied and social theatre, intercultural performance practices and pedagogic models of collaboration and cultural leadership.

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