Chester Brown has never shied away from tackling controversial subjects in his work. As the cartoonist of the autobiographical The Playboy and the biography Louis Riel, Paying For It is a natural progression for Brown as it combines the personal and sexual aspects of his autobiographical work with the polemical drive of Louis Riel. Brown calmly lays out the facts of how he became not only a willing participant in but also a vocal proponent of one of the world's most hot-button topics--prostitution. Paying For It offers an entirely contemporary exploration of sex work--from the timid john who rides his bike to meet his escorts, wonders how to tip so as not to offend, and reads Dan Savage for advice, to the modern-day transactions complete with online reviews, seemingly willing participants, and clean apartments devoid of cliches street corners, drugs, or primps.
Chester Brown has never shied away from tackling controversial subjects in his work. As the cartoonist of the autobiographical The Playboy and the biography Louis Riel, Paying For It is a natural progression for Brown as it combines the personal and sexual aspects of his autobiographical work with the polemical drive of Louis Riel. Brown calmly lays out the facts of how he became not only a willing participant in but also a vocal proponent of one of the world's most hot-button topics--prostitution. Paying For It offers an entirely contemporary exploration of sex work--from the timid john who rides his bike to meet his escorts, wonders how to tip so as not to offend, and reads Dan Savage for advice, to the modern-day transactions complete with online reviews, seemingly willing participants, and clean apartments devoid of cliches street corners, drugs, or primps.