Patient Zero and the Making of the AIDS Epidemic

Nonfiction, Health & Well Being, Medical, Reference, History, Modern, 20th Century
Cover of the book Patient Zero and the Making of the AIDS Epidemic by Richard A. McKay, University of Chicago Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Richard A. McKay ISBN: 9780226064000
Publisher: University of Chicago Press Publication: November 22, 2017
Imprint: University of Chicago Press Language: English
Author: Richard A. McKay
ISBN: 9780226064000
Publisher: University of Chicago Press
Publication: November 22, 2017
Imprint: University of Chicago Press
Language: English

The search for a “patient zero”—popularly understood to be the first person infected in an epidemic—has been key to media coverage of major infectious disease outbreaks for more than three decades. Yet the term itself did not exist before the emergence of the HIV/AIDS epidemic in the 1980s. How did this idea so swiftly come to exert such a strong grip on the scientific, media, and popular consciousness? In Patient Zero, Richard A. McKay interprets a wealth of archival sources and interviews to demonstrate how this seemingly new concept drew upon centuries-old ideas—and fears—about contagion and social disorder.

McKay presents a carefully documented and sensitively written account of the life of Gaétan Dugas, a gay man whose skin cancer diagnosis in 1980 took on very different meanings as the HIV/AIDS epidemic developed—and who received widespread posthumous infamy when he was incorrectly identified as patient zero of the North American outbreak. McKay shows how investigators from the US Centers for Disease Control inadvertently created the term amid their early research into the emerging health crisis; how an ambitious journalist dramatically amplified the idea in his determination to reframe national debates about AIDS; and how many individuals grappled with the notion of patient zero—adopting, challenging and redirecting its powerful meanings—as they tried to make sense of and respond to the first fifteen years of an unfolding epidemic. With important insights for our interconnected age, Patient Zero untangles the complex process by which individuals and groups create meaning and allocate blame when faced with new disease threats. What McKay gives us here is myth-smashing revisionist history at its best.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The search for a “patient zero”—popularly understood to be the first person infected in an epidemic—has been key to media coverage of major infectious disease outbreaks for more than three decades. Yet the term itself did not exist before the emergence of the HIV/AIDS epidemic in the 1980s. How did this idea so swiftly come to exert such a strong grip on the scientific, media, and popular consciousness? In Patient Zero, Richard A. McKay interprets a wealth of archival sources and interviews to demonstrate how this seemingly new concept drew upon centuries-old ideas—and fears—about contagion and social disorder.

McKay presents a carefully documented and sensitively written account of the life of Gaétan Dugas, a gay man whose skin cancer diagnosis in 1980 took on very different meanings as the HIV/AIDS epidemic developed—and who received widespread posthumous infamy when he was incorrectly identified as patient zero of the North American outbreak. McKay shows how investigators from the US Centers for Disease Control inadvertently created the term amid their early research into the emerging health crisis; how an ambitious journalist dramatically amplified the idea in his determination to reframe national debates about AIDS; and how many individuals grappled with the notion of patient zero—adopting, challenging and redirecting its powerful meanings—as they tried to make sense of and respond to the first fifteen years of an unfolding epidemic. With important insights for our interconnected age, Patient Zero untangles the complex process by which individuals and groups create meaning and allocate blame when faced with new disease threats. What McKay gives us here is myth-smashing revisionist history at its best.

More books from University of Chicago Press

Cover of the book A Manual for Writers of Research Papers, Theses, and Dissertations, Ninth Edition by Richard A. McKay
Cover of the book The Fama Portfolio by Richard A. McKay
Cover of the book Stories of Capitalism by Richard A. McKay
Cover of the book A Fistful of Shells by Richard A. McKay
Cover of the book Economic Origins of Roman Christianity by Richard A. McKay
Cover of the book Integrating the Inner City by Richard A. McKay
Cover of the book Living Liberalism by Richard A. McKay
Cover of the book History as a Kind of Writing by Richard A. McKay
Cover of the book Lions in the Balance by Richard A. McKay
Cover of the book The Bilingual Courtroom by Richard A. McKay
Cover of the book The Institutional Revolution by Richard A. McKay
Cover of the book Killing the Koala and Poisoning the Prairie by Richard A. McKay
Cover of the book Make It Rain by Richard A. McKay
Cover of the book The Corporate Commonwealth by Richard A. McKay
Cover of the book Rembrandt's Jews by Richard A. McKay
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy