Parody and Taste in Postwar American Television Culture

Nonfiction, History, Americas, United States, 20th Century, Entertainment, Humour & Comedy, General Humour, Social & Cultural Studies, Social Science
Cover of the book Parody and Taste in Postwar American Television Culture by Ethan Thompson, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Ethan Thompson ISBN: 9781136839795
Publisher: Taylor and Francis Publication: December 14, 2010
Imprint: Routledge Language: English
Author: Ethan Thompson
ISBN: 9781136839795
Publisher: Taylor and Francis
Publication: December 14, 2010
Imprint: Routledge
Language: English

In this original study, Thompson explores the complicated relationships between Americans and television during the 1950s, as seen and effected through popular humor. Parody and Taste in Postwar American Television Culture documents how Americans grew accustomed to understanding politics, current events, and popular culture through comedy that is simultaneously critical, commercial, and funny. Along with the rapid growth of television in the 1950s, an explosion of satire and parody took place across a wide field of American culture—in magazines, comic books, film, comedy albums, and on television itself. Taken together, these case studies don’t just analyze and theorize the production and consumption of parody and television, but force us to revisit and revise our notions of postwar "consensus" culture as well.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In this original study, Thompson explores the complicated relationships between Americans and television during the 1950s, as seen and effected through popular humor. Parody and Taste in Postwar American Television Culture documents how Americans grew accustomed to understanding politics, current events, and popular culture through comedy that is simultaneously critical, commercial, and funny. Along with the rapid growth of television in the 1950s, an explosion of satire and parody took place across a wide field of American culture—in magazines, comic books, film, comedy albums, and on television itself. Taken together, these case studies don’t just analyze and theorize the production and consumption of parody and television, but force us to revisit and revise our notions of postwar "consensus" culture as well.

More books from Taylor and Francis

Cover of the book The Ethiopian Jewish Exodus by Ethan Thompson
Cover of the book Wildfire Risk by Ethan Thompson
Cover of the book China's Muslim Hui Community by Ethan Thompson
Cover of the book Re-Thinking Eating Disorders by Ethan Thompson
Cover of the book Everydata by Ethan Thompson
Cover of the book Impossible God by Ethan Thompson
Cover of the book Public Policy and Land Exchange by Ethan Thompson
Cover of the book Successfully Doing Business/Marketing In Eastern Europe by Ethan Thompson
Cover of the book John Bull's Island by Ethan Thompson
Cover of the book Cataloging and Classification Standards and Rules by Ethan Thompson
Cover of the book The Conservative Nation (Routledge Revivals) by Ethan Thompson
Cover of the book The Routledge Dictionary of Anthropologists by Ethan Thompson
Cover of the book Python for Experimental Psychologists by Ethan Thompson
Cover of the book Theories of Justice by Ethan Thompson
Cover of the book The Protestant Ethic and the Spirit of Capitalism by Ethan Thompson
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy