Opera Acts

Singers and Performance in the Late Nineteenth Century

Nonfiction, Entertainment, Music, Music Styles, Classical & Opera, Opera
Cover of the book Opera Acts by Karen Henson, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Karen Henson ISBN: 9781316188668
Publisher: Cambridge University Press Publication: January 15, 2015
Imprint: Cambridge University Press Language: English
Author: Karen Henson
ISBN: 9781316188668
Publisher: Cambridge University Press
Publication: January 15, 2015
Imprint: Cambridge University Press
Language: English

Opera Acts explores a wealth of new historical material about singers in the late nineteenth century and challenges the idea that this was a period of decline for the opera singer. In detailed case studies of four figures - the late Verdi baritone Victor Maurel; Bizet's first Carmen, Célestine Galli-Marié; Massenet's muse of the 1880s and '90s, Sibyl Sanderson; and the early Wagner star Jean de Reszke - Karen Henson argues that singers in the late nineteenth century continued to be important, but in ways that were not conventionally 'vocal'. Instead they enjoyed a freedom and creativity based on their ability to express text, act and communicate physically, and exploit the era's media. By these and other means, singers played a crucial role in the creation of opera up to the end of the nineteenth century.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Opera Acts explores a wealth of new historical material about singers in the late nineteenth century and challenges the idea that this was a period of decline for the opera singer. In detailed case studies of four figures - the late Verdi baritone Victor Maurel; Bizet's first Carmen, Célestine Galli-Marié; Massenet's muse of the 1880s and '90s, Sibyl Sanderson; and the early Wagner star Jean de Reszke - Karen Henson argues that singers in the late nineteenth century continued to be important, but in ways that were not conventionally 'vocal'. Instead they enjoyed a freedom and creativity based on their ability to express text, act and communicate physically, and exploit the era's media. By these and other means, singers played a crucial role in the creation of opera up to the end of the nineteenth century.

More books from Cambridge University Press

Cover of the book Charity Law and the Liberal State by Karen Henson
Cover of the book Climate Change and Cities by Karen Henson
Cover of the book On the Nature and Existence of God by Karen Henson
Cover of the book Britain's Political Economies by Karen Henson
Cover of the book The Court of Justice of the European Union as an Institutional Actor by Karen Henson
Cover of the book Menander in Antiquity by Karen Henson
Cover of the book Islam and Law in Lebanon by Karen Henson
Cover of the book Comprehending the Incomprehensible by Karen Henson
Cover of the book Female Friends and the Making of Transatlantic Quakerism, 1650–1750 by Karen Henson
Cover of the book The New Cambridge History of American Foreign Relations: Volume 2, The American Search for Opportunity, 1865–1913 by Karen Henson
Cover of the book Green Governance by Karen Henson
Cover of the book Natural Language Generation in Interactive Systems by Karen Henson
Cover of the book The Cambridge Introduction to Postmodern Fiction by Karen Henson
Cover of the book Illuminating Dark Networks by Karen Henson
Cover of the book Animals, Animality, and Literature by Karen Henson
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy