Old Times on the Mississippi

Nonfiction, Religion & Spirituality, New Age, History, Fiction & Literature
Cover of the book Old Times on the Mississippi by Mark Twain, Library of Alexandria
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Mark Twain ISBN: 9781613100387
Publisher: Library of Alexandria Publication: March 8, 2015
Imprint: Language: English
Author: Mark Twain
ISBN: 9781613100387
Publisher: Library of Alexandria
Publication: March 8, 2015
Imprint:
Language: English
WHEN I was a boy, there was but one permanent ambition among my comrades in our village on the west bank of the Mississippi River. That was, to be a steamboatman. We had transient ambitions of Other sorts, but they were only transient. When a circus came and went, it left us all burning to become clowns; the first negro minstrel show that came to our section left us all suffering to try that kind of life; now and then we had a hope that if we lived and were good, God would permit us to be pirates. These ambitions faded out, each in its turn; but the ambition to be a steamboatman always remained. Once a day a cheap, gaudy packet arrived upward from St. Louis, and another downward from Keokuk. Before these events had transpired, the day was glorious with expectancy; after they had transpired, the day was a dead and empty thing. Not only the boys, but the whole village, felt this. After all these years I can picture that old time to myself now, just as it was then: the white town drowsing in the sunshine of a summer’s morning; the streets empty, or pretty nearly so; one or two clerks in front of the Water Street stores, with their splint−bottomed chairs tilted back against the wall, chins on breasts, hats slouched over their faces, asleep—with shingle−shavings enough around to show what broke them down; a sow and a litter of pigs loafing along the sidewalk, doing a good business in water−melon rinds and seeds; two or three lonely little freight piles scattered about the “levee;” a pile of “skids” on the slope of the stone−paved wharf, and the fragrant town drunkard asleep in the shadow of them; two or three wood flats at the head of the wharf, but nobody to listen to the peaceful lapping of the wavelets against them; the great Mississippi, the majestic, the magnificent Mississippi, rolling its mile−wide tide along, shining in the sun; the dense forest away on the Other side; the “point” above the town, and the “point” below, bounding the river−glimpse and turning it into a sort of sea, and withal a very still and brilliant and lonely one. Presently a film of dark smoke appears above one of those remote “points;” instantly a negro drayman, famous for his quick eye and prodigious voice, lifts up the cry, “S−t−e−a−m−boat a−comin’!” and the scene changes! The town drunkard stirs, the clerks wake up, a furious clatter of drays follows, every house and store pours out a human contribution, and all in a twinkling the dead town is alive and moving. Drays, carts, men, boys, all go hurrying from many quarters to a common centre, the wharf. Assembled there, the people fasten their eyes upon the coming boat as upon a wonder they are seeing for the first time. And the boat is rather a handsome sight, too. She is long and sharp and trim and pretty; she has two tall, fancy−topped chimneys, with a gilded device of some kind swung between them; a fanciful pilot−house, all glass and “gingerbread,” perched on top of the “texas” deck behind them; the paddle−boxes are gorgeous with a picture or with gilded rays above the boat’s name; the boiler deck, the hurricane deck, and the texas deck are fenced and ornamented with clean white railings; there is a flag gallantly flying from the jack−staff; the furnace doors are open and the fires flaring bravely; the upper decks are black with passengers; the captain stands by the big bell, calm, imposing, the envy of all; great volumes of the blackest smoke are rolling and tumbling out of the chimneys—a husbanded grandeur created with a bit of pitch pine just before arriving at a town; the crew are grouped on the forecastle; the broad stage is run far out over the port bow, and an envied deck−hand stands picturesquely on the end of it with a coil of rope in his hand; the pent steam is screaming through the gauge−cocks; the captain lifts his hand, a bell rings, the wheels stop; then they turn back, churning the water to foam, and the steamer is at rest. Then such a scramble as there is to get aboard, and to get ashore, and to take in freight and to discharge freight, all at one and the same time; and such a yelling and cursing as the mates facilitate it all with! Ten minutes later the steamer is under way again, with no flag on the jack−staff and no black smoke issuing from the chimneys. After ten more minutes the town is dead again, and the town drunkard asleep by the skids once more
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
WHEN I was a boy, there was but one permanent ambition among my comrades in our village on the west bank of the Mississippi River. That was, to be a steamboatman. We had transient ambitions of Other sorts, but they were only transient. When a circus came and went, it left us all burning to become clowns; the first negro minstrel show that came to our section left us all suffering to try that kind of life; now and then we had a hope that if we lived and were good, God would permit us to be pirates. These ambitions faded out, each in its turn; but the ambition to be a steamboatman always remained. Once a day a cheap, gaudy packet arrived upward from St. Louis, and another downward from Keokuk. Before these events had transpired, the day was glorious with expectancy; after they had transpired, the day was a dead and empty thing. Not only the boys, but the whole village, felt this. After all these years I can picture that old time to myself now, just as it was then: the white town drowsing in the sunshine of a summer’s morning; the streets empty, or pretty nearly so; one or two clerks in front of the Water Street stores, with their splint−bottomed chairs tilted back against the wall, chins on breasts, hats slouched over their faces, asleep—with shingle−shavings enough around to show what broke them down; a sow and a litter of pigs loafing along the sidewalk, doing a good business in water−melon rinds and seeds; two or three lonely little freight piles scattered about the “levee;” a pile of “skids” on the slope of the stone−paved wharf, and the fragrant town drunkard asleep in the shadow of them; two or three wood flats at the head of the wharf, but nobody to listen to the peaceful lapping of the wavelets against them; the great Mississippi, the majestic, the magnificent Mississippi, rolling its mile−wide tide along, shining in the sun; the dense forest away on the Other side; the “point” above the town, and the “point” below, bounding the river−glimpse and turning it into a sort of sea, and withal a very still and brilliant and lonely one. Presently a film of dark smoke appears above one of those remote “points;” instantly a negro drayman, famous for his quick eye and prodigious voice, lifts up the cry, “S−t−e−a−m−boat a−comin’!” and the scene changes! The town drunkard stirs, the clerks wake up, a furious clatter of drays follows, every house and store pours out a human contribution, and all in a twinkling the dead town is alive and moving. Drays, carts, men, boys, all go hurrying from many quarters to a common centre, the wharf. Assembled there, the people fasten their eyes upon the coming boat as upon a wonder they are seeing for the first time. And the boat is rather a handsome sight, too. She is long and sharp and trim and pretty; she has two tall, fancy−topped chimneys, with a gilded device of some kind swung between them; a fanciful pilot−house, all glass and “gingerbread,” perched on top of the “texas” deck behind them; the paddle−boxes are gorgeous with a picture or with gilded rays above the boat’s name; the boiler deck, the hurricane deck, and the texas deck are fenced and ornamented with clean white railings; there is a flag gallantly flying from the jack−staff; the furnace doors are open and the fires flaring bravely; the upper decks are black with passengers; the captain stands by the big bell, calm, imposing, the envy of all; great volumes of the blackest smoke are rolling and tumbling out of the chimneys—a husbanded grandeur created with a bit of pitch pine just before arriving at a town; the crew are grouped on the forecastle; the broad stage is run far out over the port bow, and an envied deck−hand stands picturesquely on the end of it with a coil of rope in his hand; the pent steam is screaming through the gauge−cocks; the captain lifts his hand, a bell rings, the wheels stop; then they turn back, churning the water to foam, and the steamer is at rest. Then such a scramble as there is to get aboard, and to get ashore, and to take in freight and to discharge freight, all at one and the same time; and such a yelling and cursing as the mates facilitate it all with! Ten minutes later the steamer is under way again, with no flag on the jack−staff and no black smoke issuing from the chimneys. After ten more minutes the town is dead again, and the town drunkard asleep by the skids once more

More books from Library of Alexandria

Cover of the book An Essay on Satire, Particularly on the Dunciad by Mark Twain
Cover of the book Hagar of the Pawn-Shop by Mark Twain
Cover of the book The Cost of Kindness by Mark Twain
Cover of the book The Ancient Law by Mark Twain
Cover of the book Following the Flag: From August 1861 to November 1862 by Mark Twain
Cover of the book Turnover Point by Mark Twain
Cover of the book La Hermana San Sulpicio by Mark Twain
Cover of the book The Strange Life of Nikola Tesla by Mark Twain
Cover of the book From a Swedish Homestead by Mark Twain
Cover of the book Life's Basis and Life's Ideal: The Fundamentals of a New Philosophy of Life by Mark Twain
Cover of the book Two Men: A Romance of Sussex by Mark Twain
Cover of the book Trails and Tramps in Alaska and Newfoundland by Mark Twain
Cover of the book A Primer of Mayan Hieroglyphics by Mark Twain
Cover of the book Caesar Borgia: A Study of the Renaissance by Mark Twain
Cover of the book Wrong and Right Methods of Dealing with Social Evil by Mark Twain
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy