New York Noise

Radical Jewish Music and the Downtown Scene

Nonfiction, Entertainment, Music, Theory & Criticism, Ethnomusicology, History & Criticism, History, Jewish
Cover of the book New York Noise by Tamar Barzel, Indiana University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Tamar Barzel ISBN: 9780253015648
Publisher: Indiana University Press Publication: January 30, 2015
Imprint: Indiana University Press Language: English
Author: Tamar Barzel
ISBN: 9780253015648
Publisher: Indiana University Press
Publication: January 30, 2015
Imprint: Indiana University Press
Language: English

Coined in 1992 by composer/saxophonist John Zorn, "Radical Jewish Culture," or RJC, became the banner under which many artists in Zorn's circle performed, produced, and circulated their music. New York's downtown music scene, part of the once-grungy Lower East Side, has long been the site of cultural innovation. It is within this environment that Zorn and his circle sought to combine, as a form of social and cultural critique, the unconventional, uncategorizable nature of downtown music with sounds that were recognizably Jewish. Out of this movement arose bands, like Hasidic New Wave and Hanukkah Bush, whose eclectic styles encompassed neo-klezmer, hardcore and acid rock, neo-Yiddish cabaret, free verse, free jazz, and electronica. Though relatively fleeting in rock history, the "RJC moment" produced a six-year burst of conversations, writing, and music—including festivals, international concerts, and nearly two hundred new recordings. During a decade of research, Tamar Barzel became a frequent visitor at clubs, post-club hangouts, musicians' dining rooms, coffee shops, and archives. Her book describes the way RJC forged a new vision of Jewish identity in the contemporary world, one that sought to restore the bond between past and present, to interrogate the limits of racial and gender categories, and to display the tensions between secularism and observance, traditional values and contemporary concerns.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Coined in 1992 by composer/saxophonist John Zorn, "Radical Jewish Culture," or RJC, became the banner under which many artists in Zorn's circle performed, produced, and circulated their music. New York's downtown music scene, part of the once-grungy Lower East Side, has long been the site of cultural innovation. It is within this environment that Zorn and his circle sought to combine, as a form of social and cultural critique, the unconventional, uncategorizable nature of downtown music with sounds that were recognizably Jewish. Out of this movement arose bands, like Hasidic New Wave and Hanukkah Bush, whose eclectic styles encompassed neo-klezmer, hardcore and acid rock, neo-Yiddish cabaret, free verse, free jazz, and electronica. Though relatively fleeting in rock history, the "RJC moment" produced a six-year burst of conversations, writing, and music—including festivals, international concerts, and nearly two hundred new recordings. During a decade of research, Tamar Barzel became a frequent visitor at clubs, post-club hangouts, musicians' dining rooms, coffee shops, and archives. Her book describes the way RJC forged a new vision of Jewish identity in the contemporary world, one that sought to restore the bond between past and present, to interrogate the limits of racial and gender categories, and to display the tensions between secularism and observance, traditional values and contemporary concerns.

More books from Indiana University Press

Cover of the book The Cinema of the Soviet Thaw by Tamar Barzel
Cover of the book The Art of Teaching Music by Tamar Barzel
Cover of the book Colonialism by Proxy by Tamar Barzel
Cover of the book Blood Ties and the Native Son by Tamar Barzel
Cover of the book Materialities of Ritual in the Black Atlantic by Tamar Barzel
Cover of the book Muslims and New Media in West Africa by Tamar Barzel
Cover of the book Nishida Kitarō's Chiasmatic Chorology by Tamar Barzel
Cover of the book Marrying Out by Tamar Barzel
Cover of the book Toward Spatial Humanities by Tamar Barzel
Cover of the book The Evidential Argument from Evil by Tamar Barzel
Cover of the book William James in Focus by Tamar Barzel
Cover of the book Consuming Ocean Island by Tamar Barzel
Cover of the book Harvest of Skulls by Tamar Barzel
Cover of the book Imagining Autism by Tamar Barzel
Cover of the book Across the Ussuri Kray by Tamar Barzel
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy