New York’s Yiddish Theater

From the Bowery to Broadway

Nonfiction, Reference & Language, Foreign Languages, Hebrew & Yiddish, Entertainment, Performing Arts, Theatre, History & Criticism
Cover of the book New York’s Yiddish Theater by , Columbia University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9780231541077
Publisher: Columbia University Press Publication: March 8, 2016
Imprint: Columbia University Press Language: English
Author:
ISBN: 9780231541077
Publisher: Columbia University Press
Publication: March 8, 2016
Imprint: Columbia University Press
Language: English

In the early decades of the twentieth century, a vibrant theatrical culture took shape on New York City's Lower East Side. Original dramas, comedies, musicals, and vaudeville, along with sophisticated productions of Shakespeare, Ibsen, and Chekhov, were innovatively staged for crowds that rivaled the audiences on Broadway. Though these productions were in Yiddish and catered to Eastern European, Jewish audiences (the largest immigrant group in the city at the time), their artistic innovations, energetic style, and engagement with politics and the world around them came to influence all facets of the American stage.

Vividly illustrated and with essays from leading historians and critics, this book recounts the heyday of "Yiddish Broadway" and its vital contribution to American Jewish life and crossover to the broader American culture. These performances grappled with Jewish nationalism, labor relations, women's rights, religious observance, acculturation, and assimilation. They reflected a range of genres, from tear-jerkers to experimental theater. The artists who came of age in this world include Stella Adler, Eddie Cantor, Jerry Lewis, Sophie Tucker, Mel Brooks, and Joan Rivers. The story of New York's Yiddish theater is a tale of creativity and legacy and of immigrants who, in the process of becoming Americans, had an enormous impact on the country's cultural and artistic development.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In the early decades of the twentieth century, a vibrant theatrical culture took shape on New York City's Lower East Side. Original dramas, comedies, musicals, and vaudeville, along with sophisticated productions of Shakespeare, Ibsen, and Chekhov, were innovatively staged for crowds that rivaled the audiences on Broadway. Though these productions were in Yiddish and catered to Eastern European, Jewish audiences (the largest immigrant group in the city at the time), their artistic innovations, energetic style, and engagement with politics and the world around them came to influence all facets of the American stage.

Vividly illustrated and with essays from leading historians and critics, this book recounts the heyday of "Yiddish Broadway" and its vital contribution to American Jewish life and crossover to the broader American culture. These performances grappled with Jewish nationalism, labor relations, women's rights, religious observance, acculturation, and assimilation. They reflected a range of genres, from tear-jerkers to experimental theater. The artists who came of age in this world include Stella Adler, Eddie Cantor, Jerry Lewis, Sophie Tucker, Mel Brooks, and Joan Rivers. The story of New York's Yiddish theater is a tale of creativity and legacy and of immigrants who, in the process of becoming Americans, had an enormous impact on the country's cultural and artistic development.

More books from Columbia University Press

Cover of the book Nuclear North Korea by
Cover of the book Marx After Marx by
Cover of the book Maya Deren by
Cover of the book Reading The Tale of Genji by
Cover of the book Moral Geography by
Cover of the book Doing Aesthetics with Arendt by
Cover of the book The Hidden God by
Cover of the book What Slaveholders Think by
Cover of the book Toxic Exposures by
Cover of the book The Primacy of the Political by
Cover of the book Introduction to Metaphysics by
Cover of the book The Science of the Oven by
Cover of the book Self-Consciousness and the Critique of the Subject by
Cover of the book The Columbia Guide to Social Work Writing by
Cover of the book But Enough About Me by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy