New South African Plays

Nonfiction, Entertainment, Theatre, Performing Arts, Fiction & Literature, Drama
Cover of the book New South African Plays by Beverley Naidoo, Sibusiso Mamba, Mike Van Graan, James Whylie, Rehane Abrahams, Ashwin Singh, Aurora Metro Books
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Author: Beverley Naidoo, Sibusiso Mamba, Mike Van Graan, James Whylie, Rehane Abrahams, Ashwin Singh ISBN: 9781910798898
Publisher: Aurora Metro Books Publication: April 2, 2019
Imprint: Aurora Metro Books Language: English
Author: Beverley Naidoo, Sibusiso Mamba, Mike Van Graan, James Whylie, Rehane Abrahams, Ashwin Singh
ISBN: 9781910798898
Publisher: Aurora Metro Books
Publication: April 2, 2019
Imprint: Aurora Metro Books
Language: English

A collection of six plays dealing with the new South Africa, published in 2006 to celebrate 10 years of democracy post-apartheid. Plays about racial conflict, the impact of AIDS, power and corruption, the legacy of the past and female identity. Reprinted 2012, 2019.

 

The Plays

The Playground by Beverly Naidoo

“…it floats on a haunting, echoing raft of traditional South African harmonies that make watching it a joyful experience as well as a thought-provoking one…” Time Out Critics’ Choice – Pick of the Year

Taxi by Sibusiso Mamba: Edinburgh fringe first winner

“a superbly written and produced play… A fine piece of work that’s refreshingly free of cliches.” Daily Mail, Pick of the Week

Green Man Flashing by Mike Van Graan

“…This finely crafted drama tears at the heart and soul of our democracy, and rips at the underbelly of corruption and political power through its astute writing…” Star Tonight

Rejoice by James Whylie

“… the cruellest irony of all is left until the end… the same one which has spelled the death of Rejoice… And millions more.” Friends of BBC Radio 3

What the Water Gave Me by Rehane Abrahams

“tales that retrieve ancient magics and reveal contemporary terrors…” Cape Times

To House by Ashwin Singh: Finalist in the 2003 PANSA (Performing Arts Network of SA) Festival of Reading of New Writing (the country’s foremost playwriting contest)

“To House is an important piece of theatre; in it people voice opinions that are uncomfortable and edgy. The cathartic and therapeutic value of hearing these things said aloud in a public place is part of our essential healing process and proves, once again, that art has the ability to go where angels fear to tread.” Daily News, Durban

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

A collection of six plays dealing with the new South Africa, published in 2006 to celebrate 10 years of democracy post-apartheid. Plays about racial conflict, the impact of AIDS, power and corruption, the legacy of the past and female identity. Reprinted 2012, 2019.

 

The Plays

The Playground by Beverly Naidoo

“…it floats on a haunting, echoing raft of traditional South African harmonies that make watching it a joyful experience as well as a thought-provoking one…” Time Out Critics’ Choice – Pick of the Year

Taxi by Sibusiso Mamba: Edinburgh fringe first winner

“a superbly written and produced play… A fine piece of work that’s refreshingly free of cliches.” Daily Mail, Pick of the Week

Green Man Flashing by Mike Van Graan

“…This finely crafted drama tears at the heart and soul of our democracy, and rips at the underbelly of corruption and political power through its astute writing…” Star Tonight

Rejoice by James Whylie

“… the cruellest irony of all is left until the end… the same one which has spelled the death of Rejoice… And millions more.” Friends of BBC Radio 3

What the Water Gave Me by Rehane Abrahams

“tales that retrieve ancient magics and reveal contemporary terrors…” Cape Times

To House by Ashwin Singh: Finalist in the 2003 PANSA (Performing Arts Network of SA) Festival of Reading of New Writing (the country’s foremost playwriting contest)

“To House is an important piece of theatre; in it people voice opinions that are uncomfortable and edgy. The cathartic and therapeutic value of hearing these things said aloud in a public place is part of our essential healing process and proves, once again, that art has the ability to go where angels fear to tread.” Daily News, Durban

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