Neil Young's Harvest

Nonfiction, Social & Cultural Studies, Social Science, Cultural Studies, Popular Culture
Cover of the book Neil Young's Harvest by Sam Inglis, Bloomsbury Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Sam Inglis ISBN: 9781441188960
Publisher: Bloomsbury Publishing Publication: September 17, 2003
Imprint: Continuum Language: English
Author: Sam Inglis
ISBN: 9781441188960
Publisher: Bloomsbury Publishing
Publication: September 17, 2003
Imprint: Continuum
Language: English

Neil Young's Harvest is one of those strange albums that has achieved lasting success without ever winning the full approval of rock critics or hardcore fans. Even Young himself has been equivocal, describing it in one breath as his "finest" album, dismissing it in the next as an MOR aberration. Here, Sam Inglis explores the circumstances of the album's creation and asks who got it right: the critics, or the millions who have bought Harvest in the 30 years since its release?

Excerpt
The White Falcon's split pickup might have been just a gimmick from the early days of stereo, but the way Neil Young uses it on 'Alabama' is remarkable. His muted picking brings stabbing notes first from one speaker, then the other, as though we were hearing not one but two guitarists, playing with an unnatural empathy. The electric guitar has seldom sounded so menacing, and Young's growling rhythm and piercing lead notes are tracked perfectly by Kenny Buttrey's bare-bones drumming. The build to the chorus is beautifully judged, and when Young and his celebrity backing singers let rip, there's an almost physical sense of release.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Neil Young's Harvest is one of those strange albums that has achieved lasting success without ever winning the full approval of rock critics or hardcore fans. Even Young himself has been equivocal, describing it in one breath as his "finest" album, dismissing it in the next as an MOR aberration. Here, Sam Inglis explores the circumstances of the album's creation and asks who got it right: the critics, or the millions who have bought Harvest in the 30 years since its release?

Excerpt
The White Falcon's split pickup might have been just a gimmick from the early days of stereo, but the way Neil Young uses it on 'Alabama' is remarkable. His muted picking brings stabbing notes first from one speaker, then the other, as though we were hearing not one but two guitarists, playing with an unnatural empathy. The electric guitar has seldom sounded so menacing, and Young's growling rhythm and piercing lead notes are tracked perfectly by Kenny Buttrey's bare-bones drumming. The build to the chorus is beautifully judged, and when Young and his celebrity backing singers let rip, there's an almost physical sense of release.

More books from Bloomsbury Publishing

Cover of the book The Girl's Best Friend Mysteries by Sam Inglis
Cover of the book Westminster Diary: Volume 2 by Sam Inglis
Cover of the book Maps: their untold stories by Sam Inglis
Cover of the book Polish Legions 1914–19 by Sam Inglis
Cover of the book Peter L. Berger and the Sociology of Religion by Sam Inglis
Cover of the book Nodding Off by Sam Inglis
Cover of the book Jazz as Visual Language by Sam Inglis
Cover of the book Transforming Occupation in the Western Zones of Germany by Sam Inglis
Cover of the book An A to Z of Critical Thinking by Sam Inglis
Cover of the book Prayers of Great Traditions by Sam Inglis
Cover of the book Wanting by Sam Inglis
Cover of the book War Winners by Sam Inglis
Cover of the book Quantitative Research in Linguistics by Sam Inglis
Cover of the book Frostgrave: Ghost Archipelago: Cities of Bronze by Sam Inglis
Cover of the book Rifleman by Sam Inglis
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy