Music Makes Me

Fred Astaire and Jazz

Nonfiction, Entertainment, Music, Music Styles, Jazz & Blues, Jazz
Cover of the book Music Makes Me by Todd Decker, University of California Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Todd Decker ISBN: 9780520950061
Publisher: University of California Press Publication: June 24, 2011
Imprint: University of California Press Language: English
Author: Todd Decker
ISBN: 9780520950061
Publisher: University of California Press
Publication: June 24, 2011
Imprint: University of California Press
Language: English

Fred Astaire: one of the great jazz artists of the twentieth century? Astaire is best known for his brilliant dancing in the movie musicals of the 1930s, but in Music Makes Me, Todd Decker argues that Astaire’s work as a dancer and choreographer —particularly in the realm of tap dancing—made a significant contribution to the art of jazz. Decker examines the full range of Astaire’s work in filmed and recorded media, from a 1926 recording with George Gershwin to his 1970 blues stylings on television, and analyzes Astaire’s creative relationships with the greats, including George and Ira Gershwin, Irving Berlin, Jerome Kern, and Johnny Mercer. He also highlights Astaire’s collaborations with African American musicians and his work with lesser known professionals—arrangers, musicians, dance directors, and performers.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Fred Astaire: one of the great jazz artists of the twentieth century? Astaire is best known for his brilliant dancing in the movie musicals of the 1930s, but in Music Makes Me, Todd Decker argues that Astaire’s work as a dancer and choreographer —particularly in the realm of tap dancing—made a significant contribution to the art of jazz. Decker examines the full range of Astaire’s work in filmed and recorded media, from a 1926 recording with George Gershwin to his 1970 blues stylings on television, and analyzes Astaire’s creative relationships with the greats, including George and Ira Gershwin, Irving Berlin, Jerome Kern, and Johnny Mercer. He also highlights Astaire’s collaborations with African American musicians and his work with lesser known professionals—arrangers, musicians, dance directors, and performers.

More books from University of California Press

Cover of the book Shorebird Ecology, Conservation, and Management by Todd Decker
Cover of the book Robo sapiens japanicus by Todd Decker
Cover of the book Why Did They Kill? by Todd Decker
Cover of the book Bounded Rationality and Politics by Todd Decker
Cover of the book Living Color by Todd Decker
Cover of the book The People Want by Todd Decker
Cover of the book The Seer and the City by Todd Decker
Cover of the book Beyond Reason by Todd Decker
Cover of the book Field Guide to California Rivers by Todd Decker
Cover of the book After the Massacre by Todd Decker
Cover of the book Illegality, Inc. by Todd Decker
Cover of the book American Ethnographic Film and Personal Documentary by Todd Decker
Cover of the book Vietnam by Todd Decker
Cover of the book What Is Enlightenment? by Todd Decker
Cover of the book Metropole by Todd Decker
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy