Music in the Post-9/11 World

Nonfiction, Entertainment, Music, Theory & Criticism, History & Criticism, Reference
Cover of the book Music in the Post-9/11 World by , Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781135866891
Publisher: Taylor and Francis Publication: October 31, 2013
Imprint: Routledge Language: English
Author:
ISBN: 9781135866891
Publisher: Taylor and Francis
Publication: October 31, 2013
Imprint: Routledge
Language: English

Music in the Post-9/11 World addresses the varied and complex roles music has played in the wake of September 11, 2001. Interdisciplinary in approach, international in scope, and critical in orientation, the twelve essays in this groundbreaking volume examine a diverse array of musical responses to the terrorist attacks of that day, and reflect upon the altered social, economic, and political environment of "post-9/11" music production and consumption. Individual essays are devoted to the mass-mediated works of popular musicians such as Bruce Springsteen and Darryl Worley, as well as to lesser-known musical responses by artists in countries including Afghanistan, Egypt, Mexico, Morocco, Peru, and Senegal. Contributors also discuss a range of themes including the role played by Western classical music in rites of mourning and commemoration, "invisible" musical practices such as the creation of television news music, and implicit censorship in the mainstream media. Taken as a whole, this collection presents powerful evidence of the central role music has played in expressing, shaping, and contesting worldwide public attitudes toward the defining event of the early twenty-first century.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Music in the Post-9/11 World addresses the varied and complex roles music has played in the wake of September 11, 2001. Interdisciplinary in approach, international in scope, and critical in orientation, the twelve essays in this groundbreaking volume examine a diverse array of musical responses to the terrorist attacks of that day, and reflect upon the altered social, economic, and political environment of "post-9/11" music production and consumption. Individual essays are devoted to the mass-mediated works of popular musicians such as Bruce Springsteen and Darryl Worley, as well as to lesser-known musical responses by artists in countries including Afghanistan, Egypt, Mexico, Morocco, Peru, and Senegal. Contributors also discuss a range of themes including the role played by Western classical music in rites of mourning and commemoration, "invisible" musical practices such as the creation of television news music, and implicit censorship in the mainstream media. Taken as a whole, this collection presents powerful evidence of the central role music has played in expressing, shaping, and contesting worldwide public attitudes toward the defining event of the early twenty-first century.

More books from Taylor and Francis

Cover of the book Transitional Justice and Peacebuilding on the Ground by
Cover of the book Dying: A Social Perspective on the End of Life by
Cover of the book Human Adaptability, Student Economy Edition by
Cover of the book Psychophysical Acting by
Cover of the book New American Destinies by
Cover of the book Re-Thinking International Relations Theory via Deconstruction by
Cover of the book The Formation of Kurdishness in Turkey by
Cover of the book Real History by
Cover of the book Revival: Studies of Savages and Sex (1929) by
Cover of the book Japan's Comfort Women by
Cover of the book Architecture Beyond Criticism by
Cover of the book The Structural Basis of Architecture by
Cover of the book Modeling Energy-Economy Interactions by
Cover of the book Performance and Evolution in the Age of Darwin by
Cover of the book Activity Theory in Practice by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy