Music, Art, and Metaphysics

Nonfiction, Religion & Spirituality, Philosophy, Aesthetics, Entertainment, Music
Cover of the book Music, Art, and Metaphysics by Jerrold Levinson, OUP Oxford
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Author: Jerrold Levinson ISBN: 9780191615788
Publisher: OUP Oxford Publication: February 24, 2011
Imprint: OUP Oxford Language: English
Author: Jerrold Levinson
ISBN: 9780191615788
Publisher: OUP Oxford
Publication: February 24, 2011
Imprint: OUP Oxford
Language: English

This is a long-awaited reissue of Jerrold Levinson's 1990 book Music, Art, and Metaphysics, which gathers together the writings that made him a leading figure in contemporary aesthetics. Most of the essays are distinguished by a concern with metaphysical questions about artworks and their properties, but other essays address the problem of art's definition, the psychology of aesthetic response, and the logic of interpreting and evaluating works of art. The focus of about half of the essays is the art of music, the art of greatest interest to Levinson throughout his career. Many of the essays have been very influential, being among the most cited in contemporary aesthetics and having become essential references in debates on the definition of art, the ontology of art, emotional response to art, expression in art, and the nature of art forms.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This is a long-awaited reissue of Jerrold Levinson's 1990 book Music, Art, and Metaphysics, which gathers together the writings that made him a leading figure in contemporary aesthetics. Most of the essays are distinguished by a concern with metaphysical questions about artworks and their properties, but other essays address the problem of art's definition, the psychology of aesthetic response, and the logic of interpreting and evaluating works of art. The focus of about half of the essays is the art of music, the art of greatest interest to Levinson throughout his career. Many of the essays have been very influential, being among the most cited in contemporary aesthetics and having become essential references in debates on the definition of art, the ontology of art, emotional response to art, expression in art, and the nature of art forms.

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