Museographs: Mexican Painting of the Nineteenth and Twentieth Centuries
Nonfiction, Art & Architecture, Art History, American, History, Americas
| Author: | Caron Caswell Lazar | ISBN: | 9781456616342 |
| Publisher: | eBookIt.com | Publication: | February 2, 2017 |
| Imprint: | eBookIt.com | Language: | English |
| Author: | Caron Caswell Lazar |
| ISBN: | 9781456616342 |
| Publisher: | eBookIt.com |
| Publication: | February 2, 2017 |
| Imprint: | eBookIt.com |
| Language: | English |
If you are searching for a succinct yet thorough introduction to Mexican painting in the modern age, you have arrived. Spanning more than 150 years of history, Mexican Painting: Nineteenth and Twentieth Centuries is academically formidable, yet captivating and accessible to every reader.
Learn the role that the Academy of San Carlos played in dictating tastes and in reforming public arts of architecture, portraiture, and decorative painting. Delve further into the debate between the established, conservative nineteenth-century Academy, and a newly emerging and more liberal twentieth-century Academia de Belles Artes designed to reflect a rise in secularization and an abandonment of traditional faith. Witness the inception of art criticism and gallery openings, the development of plein air technique and the integration of Art Nouveau.
This issue contains beautiful plates including the renowned Dance in Tehuantepec by Diego Rivera and the Candelabrum of Oaxaca by Jose Maria Velasco. It provides a consummate survey of nineteenth- and twentieth-century Mexican painting in a scholarly and an artistic sense.
Learn the role that the Academy of San Carlos played in dictating tastes and in reforming public arts of architecture, portraiture, and decorative painting. Delve further into the debate between the established, conservative nineteenth-century Academy, and a newly emerging and more liberal twentieth-century Academia de Belles Artes designed to reflect a rise in secularization and an abandonment of traditional faith. Witness the inception of art criticism and gallery openings, the development of plein air technique and the integration of Art Nouveau.
This issue contains beautiful plates including the renowned Dance in Tehuantepec by Diego Rivera and the Candelabrum of Oaxaca by Jose Maria Velasco. It provides a consummate survey of nineteenth- and twentieth-century Mexican painting in a scholarly and an artistic sense.
If you are searching for a succinct yet thorough introduction to Mexican painting in the modern age, you have arrived. Spanning more than 150 years of history, Mexican Painting: Nineteenth and Twentieth Centuries is academically formidable, yet captivating and accessible to every reader.
Learn the role that the Academy of San Carlos played in dictating tastes and in reforming public arts of architecture, portraiture, and decorative painting. Delve further into the debate between the established, conservative nineteenth-century Academy, and a newly emerging and more liberal twentieth-century Academia de Belles Artes designed to reflect a rise in secularization and an abandonment of traditional faith. Witness the inception of art criticism and gallery openings, the development of plein air technique and the integration of Art Nouveau.
This issue contains beautiful plates including the renowned Dance in Tehuantepec by Diego Rivera and the Candelabrum of Oaxaca by Jose Maria Velasco. It provides a consummate survey of nineteenth- and twentieth-century Mexican painting in a scholarly and an artistic sense.
Learn the role that the Academy of San Carlos played in dictating tastes and in reforming public arts of architecture, portraiture, and decorative painting. Delve further into the debate between the established, conservative nineteenth-century Academy, and a newly emerging and more liberal twentieth-century Academia de Belles Artes designed to reflect a rise in secularization and an abandonment of traditional faith. Witness the inception of art criticism and gallery openings, the development of plein air technique and the integration of Art Nouveau.
This issue contains beautiful plates including the renowned Dance in Tehuantepec by Diego Rivera and the Candelabrum of Oaxaca by Jose Maria Velasco. It provides a consummate survey of nineteenth- and twentieth-century Mexican painting in a scholarly and an artistic sense.
