Multiple Iago - The Character and Motives of Iago in Shakespeare's Othello

The Character and Motives of Iago in Shakespeare's Othello

Fiction & Literature, Literary Theory & Criticism, British
Cover of the book Multiple Iago - The Character and Motives of Iago in Shakespeare's Othello by Pia Witzel, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Pia Witzel ISBN: 9783638524728
Publisher: GRIN Publishing Publication: July 21, 2006
Imprint: GRIN Publishing Language: English
Author: Pia Witzel
ISBN: 9783638524728
Publisher: GRIN Publishing
Publication: July 21, 2006
Imprint: GRIN Publishing
Language: English

Seminar paper from the year 1999 in the subject English Language and Literature Studies - Literature, grade: 1,0, University of Dusseldorf 'Heinrich Heine' (Anglistisches Institut), course: Shakespeare's Romeo and Juliet and Othello, the Moor of Venice, 16 entries in the bibliography, language: English, abstract: Introduction There has been a long critical debate about the figure of Iago in Shakespeare`s Othello and especially about his motivation. Most complex of all for actors and critics is the Iago problem. This villain is much more dangerous than Cinthio`s. He not only betrays the Moor and the Captain (Cassio); he injures everyone in his vicinity. How can so evil a man be plausible? How can he win the confidence of so apparently noble a man as Othello? And more important, what is his motivation? Why should any man hurt others so much? Is he simply a dramatic mechanism? A symbol of the devil? The devil himself? Or is he in fact a good man who has been provoked to revenge by wrongs done him? Was he unfairly denied promotion by Othello? Cuckolded by him? By Cassio? Finally, how can a character who does so much wrong involve audiences so deeply in his fate? The controversy has produced many different views and, rereading them, one could get the impression that Iago has become a real person with real traits of character and that he is responsible for what he has 'done', and some critics withdraw more and more from the original text. Therefore any consideration of Iago`s or any other character refers to his 'character' as a stage personage in Shakespeare`s Othello. After seeing the bulk of literature written on the character of Iago, one tends to agree with Adamson: So many critics over the years have made so much sense (not to mention nonsense) of Iago that one naturally hesitates to dig over the plot again. Criticism on Othello is very diverse. Following are a few examples of the manifold interpretations of Iago`s character.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 1999 in the subject English Language and Literature Studies - Literature, grade: 1,0, University of Dusseldorf 'Heinrich Heine' (Anglistisches Institut), course: Shakespeare's Romeo and Juliet and Othello, the Moor of Venice, 16 entries in the bibliography, language: English, abstract: Introduction There has been a long critical debate about the figure of Iago in Shakespeare`s Othello and especially about his motivation. Most complex of all for actors and critics is the Iago problem. This villain is much more dangerous than Cinthio`s. He not only betrays the Moor and the Captain (Cassio); he injures everyone in his vicinity. How can so evil a man be plausible? How can he win the confidence of so apparently noble a man as Othello? And more important, what is his motivation? Why should any man hurt others so much? Is he simply a dramatic mechanism? A symbol of the devil? The devil himself? Or is he in fact a good man who has been provoked to revenge by wrongs done him? Was he unfairly denied promotion by Othello? Cuckolded by him? By Cassio? Finally, how can a character who does so much wrong involve audiences so deeply in his fate? The controversy has produced many different views and, rereading them, one could get the impression that Iago has become a real person with real traits of character and that he is responsible for what he has 'done', and some critics withdraw more and more from the original text. Therefore any consideration of Iago`s or any other character refers to his 'character' as a stage personage in Shakespeare`s Othello. After seeing the bulk of literature written on the character of Iago, one tends to agree with Adamson: So many critics over the years have made so much sense (not to mention nonsense) of Iago that one naturally hesitates to dig over the plot again. Criticism on Othello is very diverse. Following are a few examples of the manifold interpretations of Iago`s character.

More books from GRIN Publishing

Cover of the book Inner Culture - Inter Culture - Outer Culture by Pia Witzel
Cover of the book ubECOtous Responsibility - Ambient Ubiquitous Feedback Systems by Pia Witzel
Cover of the book The Woman in the American Family by Pia Witzel
Cover of the book Einführung einer vollständig personalisierten Verhältniswahl by Pia Witzel
Cover of the book Laura Mulvey, Visual Pleasure and Narrative Cinema by Pia Witzel
Cover of the book The ability of young children to distinguish between morality and convention by Pia Witzel
Cover of the book Simulation and mirror neurons. Evidence in humans and monkeys by Pia Witzel
Cover of the book Foreign Direct Investment in Emerging Markets - Vietnam and Korea by Pia Witzel
Cover of the book In search of beauty by Pia Witzel
Cover of the book About Aldous Huxley's 'Those Barren Leaves' by Pia Witzel
Cover of the book Public Relations for the Arts: What are the benefits? by Pia Witzel
Cover of the book Iraq against the United States of America: a proposal of a judgment of the International Court of Justice (events of 2003) by Pia Witzel
Cover of the book Analysis of Speech Acts in Movie Dialogues on the Example of Ridley Scott's Bladerunner by Pia Witzel
Cover of the book The debate on 'apparatus' and 'ideology' by Pia Witzel
Cover of the book Apocalypse... Eventually by Pia Witzel
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy