Mu Shiying


Cover of the book Mu Shiying by Hong Kong University Press, Hong Kong University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Hong Kong University Press ISBN: 9789888268566
Publisher: Hong Kong University Press Publication: December 15, 2009
Imprint: Language: English
Author: Hong Kong University Press
ISBN: 9789888268566
Publisher: Hong Kong University Press
Publication: December 15, 2009
Imprint:
Language: English

Shanghai’s “Literary Comet” When the avant-garde writer Mu Shiying was assassinated in 1940, China lost one of its greatest modernist writers while Shanghai lost its most detailed chronicler of the city’s Jazz-Age nightlife. Mu’s highly original stream-of-consciousness approach to short story writing deserves to be re-examined and re-read. As Andrew Field argues, Mu advanced modern Chinese writing beyond the vernacular expression of May Fourth giants Lu Xun and Lao She to reveal even more starkly the alienation of a city trapped between the forces of civilization and barbarism in the 1930s. Mu Shiying: China’s Lost Modernist includes translations of six short stories, four of which have not appeared before in English. Each story focuses on Mu’s key obsessions: the pleasurable yet anxiety-ridden social and sexual relationships in the modern city, and the decadent maelstrom of consumption and leisure epitomized by the dance hall and nightclub. In his introduction, Field situates Mu’s work within the transnational and hedonistic environment of inter-war Shanghai, the city’s entertainment economy, as well as his place within the wider arena of Jazz-Age literature from Berlin, Paris, Tokyo and New York.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Shanghai’s “Literary Comet” When the avant-garde writer Mu Shiying was assassinated in 1940, China lost one of its greatest modernist writers while Shanghai lost its most detailed chronicler of the city’s Jazz-Age nightlife. Mu’s highly original stream-of-consciousness approach to short story writing deserves to be re-examined and re-read. As Andrew Field argues, Mu advanced modern Chinese writing beyond the vernacular expression of May Fourth giants Lu Xun and Lao She to reveal even more starkly the alienation of a city trapped between the forces of civilization and barbarism in the 1930s. Mu Shiying: China’s Lost Modernist includes translations of six short stories, four of which have not appeared before in English. Each story focuses on Mu’s key obsessions: the pleasurable yet anxiety-ridden social and sexual relationships in the modern city, and the decadent maelstrom of consumption and leisure epitomized by the dance hall and nightclub. In his introduction, Field situates Mu’s work within the transnational and hedonistic environment of inter-war Shanghai, the city’s entertainment economy, as well as his place within the wider arena of Jazz-Age literature from Berlin, Paris, Tokyo and New York.

More books from Hong Kong University Press

Cover of the book Europe and China by Hong Kong University Press
Cover of the book Conditional Spaces by Hong Kong University Press
Cover of the book Poverty in the Midst of Affluence by Hong Kong University Press
Cover of the book Investigative Journalism in China by Hong Kong University Press
Cover of the book The Cosmopolitan Dream by Hong Kong University Press
Cover of the book Eileen Chang by Hong Kong University Press
Cover of the book Lao She in London by Hong Kong University Press
Cover of the book Hong Kong Cantopop by Hong Kong University Press
Cover of the book Contemporary Hong Kong Government and Politics by Hong Kong University Press
Cover of the book Queer Bangkok by Hong Kong University Press
Cover of the book Chinese Ecocinema by Hong Kong University Press
Cover of the book Contact Moments by Hong Kong University Press
Cover of the book Johnnie To Kei-Fung's PTU by Hong Kong University Press
Cover of the book East River Column by Hong Kong University Press
Cover of the book Troubling American Women by Hong Kong University Press
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy