Mixed messages

American correspondences in visual and verbal practices

Nonfiction, Art & Architecture, General Art, Art History
Cover of the book Mixed messages by , Manchester University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781526101808
Publisher: Manchester University Press Publication: September 1, 2016
Imprint: Manchester University Press Language: English
Author:
ISBN: 9781526101808
Publisher: Manchester University Press
Publication: September 1, 2016
Imprint: Manchester University Press
Language: English

Offering a major contribution to the field of American culture and aesthetics in an interdisciplinary frame, this collection assembles the cutting-edge research of renowned and emerging scholars in literature and the visual arts, with a foreword by Miles Orvell. The volume represents the first of its kind: an intervention in current interdisciplinary approaches to the intersections of the written word and the visual image that moves beyond standard theoretical approaches to consider the written and visual artwork in embodied, cognitive and experiential terms. Tracing a strong lineage of pragmatism, romanticism, surrealism and dada in American intermedial works through the nineteenth century to the present day, the editors and authors of this volume chart a new and vital methodology for the study and appreciation of the correspondences between visual and verbal practices.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Offering a major contribution to the field of American culture and aesthetics in an interdisciplinary frame, this collection assembles the cutting-edge research of renowned and emerging scholars in literature and the visual arts, with a foreword by Miles Orvell. The volume represents the first of its kind: an intervention in current interdisciplinary approaches to the intersections of the written word and the visual image that moves beyond standard theoretical approaches to consider the written and visual artwork in embodied, cognitive and experiential terms. Tracing a strong lineage of pragmatism, romanticism, surrealism and dada in American intermedial works through the nineteenth century to the present day, the editors and authors of this volume chart a new and vital methodology for the study and appreciation of the correspondences between visual and verbal practices.

More books from Manchester University Press

Cover of the book Decentring France by
Cover of the book A History of the University of Manchester, 1973–90 by
Cover of the book The power of vulnerability by
Cover of the book Judges, politics and the Irish Constitution by
Cover of the book Sports law and policy in the European Union by
Cover of the book No Other Way to Tell It by
Cover of the book Northern Ireland in the Second World War by
Cover of the book Charlotte Brontë by
Cover of the book George Fox and Early Quaker Culture by
Cover of the book Factories for learning by
Cover of the book Pan–Gemanism and the Austrofascist State, 1933–38 by
Cover of the book Literary and visual Ralegh by
Cover of the book Equal subjects, unequal rights by
Cover of the book Gender, migration and the global race for talent by
Cover of the book England and the 1966 World Cup by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy