Michelangelo's Poetry and Iconography in the Heart of the Reformation

Nonfiction, Art & Architecture, General Art, Art History, Religious, Fiction & Literature, Literary Theory & Criticism
Cover of the book Michelangelo's Poetry and Iconography in the Heart of the Reformation by Ambra Moroncini, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Ambra Moroncini ISBN: 9781317096818
Publisher: Taylor and Francis Publication: April 7, 2017
Imprint: Routledge Language: English
Author: Ambra Moroncini
ISBN: 9781317096818
Publisher: Taylor and Francis
Publication: April 7, 2017
Imprint: Routledge
Language: English

Contextualizing Michelangelo’s poetry and spirituality within the framework of the religious Zeitgeist of his era, this study investigates his poetic production to shed new light on the artist’s religious beliefs and unique language of art. Author Ambra Moroncini looks first and foremost at Michelangelo the poet and proposes a thought-provoking reading of Michelangelo’s most controversial artistic production between 1536 and c.1550: The Last Judgment, his devotional drawings made for Vittoria Colonna, and his last frescoes for the Pauline Chapel. Using theological and literary analyses which draw upon reformist and Protestant scriptural writings, as well as on Michelangelo’s own rime spirituali and Vittoria Colonna’s spiritual lyrics, Moroncini proposes a compelling argument for the impact that the Reformation had on one of the greatest minds of the Italian Renaissance. It brings to light how, in the second quarter of the sixteenth century in Italy, Michelangelo’s poetry and aesthetic conception were strongly inspired by the revived theologia crucis of evangelical spirituality, rather than by the theologia gloriae of Catholic teaching.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Contextualizing Michelangelo’s poetry and spirituality within the framework of the religious Zeitgeist of his era, this study investigates his poetic production to shed new light on the artist’s religious beliefs and unique language of art. Author Ambra Moroncini looks first and foremost at Michelangelo the poet and proposes a thought-provoking reading of Michelangelo’s most controversial artistic production between 1536 and c.1550: The Last Judgment, his devotional drawings made for Vittoria Colonna, and his last frescoes for the Pauline Chapel. Using theological and literary analyses which draw upon reformist and Protestant scriptural writings, as well as on Michelangelo’s own rime spirituali and Vittoria Colonna’s spiritual lyrics, Moroncini proposes a compelling argument for the impact that the Reformation had on one of the greatest minds of the Italian Renaissance. It brings to light how, in the second quarter of the sixteenth century in Italy, Michelangelo’s poetry and aesthetic conception were strongly inspired by the revived theologia crucis of evangelical spirituality, rather than by the theologia gloriae of Catholic teaching.

More books from Taylor and Francis

Cover of the book Embracing and Managing Change in Tourism by Ambra Moroncini
Cover of the book Building Mentoring Capacity in Teacher Education by Ambra Moroncini
Cover of the book The Crosslinguistic Study of Language Acquisition by Ambra Moroncini
Cover of the book The Philosophy of Religion in England and America by Ambra Moroncini
Cover of the book Contested Countryside Cultures by Ambra Moroncini
Cover of the book Bolognese Instrumental Music, 1660-1710 by Ambra Moroncini
Cover of the book Somali Piracy by Ambra Moroncini
Cover of the book Mexico Megacity by Ambra Moroncini
Cover of the book Maritime Boundaries by Ambra Moroncini
Cover of the book Soothing and Stress by Ambra Moroncini
Cover of the book The Self and Memory by Ambra Moroncini
Cover of the book God and Humans in Islamic Thought by Ambra Moroncini
Cover of the book Social Control Through Law by Ambra Moroncini
Cover of the book Ideology and Social Change in Latin America by Ambra Moroncini
Cover of the book Developing Ericksonian Therapy by Ambra Moroncini
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy