Michelangelo's David

Florentine History and Civic Identity

Nonfiction, Art & Architecture, Art History, General Art, History
Cover of the book Michelangelo's David by John T. Paoletti, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: John T. Paoletti ISBN: 9781316234464
Publisher: Cambridge University Press Publication: February 12, 2015
Imprint: Cambridge University Press Language: English
Author: John T. Paoletti
ISBN: 9781316234464
Publisher: Cambridge University Press
Publication: February 12, 2015
Imprint: Cambridge University Press
Language: English

This book takes a new look at the interpretations of, and the historical information surrounding, Michelangelo's David. New documentary materials discovered by Rolf Bagemihl add to the early history of the stone block that became the David and provide an identity for the painted terracotta colossus that stood on the cathedral buttresses for which Michelangelo's statue was to be a companion. The David, with its placement at the Palazzo della Signoria, was deeply implicated in the civic history of Florence, where public nakedness played a ritual role in the military and in the political lives of its people. This book, then, places the David not only within the artistic history of Florence and its monuments but also within the popular culture of the period as well.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This book takes a new look at the interpretations of, and the historical information surrounding, Michelangelo's David. New documentary materials discovered by Rolf Bagemihl add to the early history of the stone block that became the David and provide an identity for the painted terracotta colossus that stood on the cathedral buttresses for which Michelangelo's statue was to be a companion. The David, with its placement at the Palazzo della Signoria, was deeply implicated in the civic history of Florence, where public nakedness played a ritual role in the military and in the political lives of its people. This book, then, places the David not only within the artistic history of Florence and its monuments but also within the popular culture of the period as well.

More books from Cambridge University Press

Cover of the book Failure and the American Writer by John T. Paoletti
Cover of the book Sacred Schisms by John T. Paoletti
Cover of the book Transforming Modern Macroeconomics by John T. Paoletti
Cover of the book Regulatory Crisis by John T. Paoletti
Cover of the book The Good Lawyer by John T. Paoletti
Cover of the book Seeing the Light: The Case for Nuclear Power in the 21st Century by John T. Paoletti
Cover of the book Kant's Idea for a Universal History with a Cosmopolitan Aim by John T. Paoletti
Cover of the book Lightwave Communications by John T. Paoletti
Cover of the book State, Faith, and Nation in Ottoman and Post-Ottoman Lands by John T. Paoletti
Cover of the book Portfolio Management under Stress by John T. Paoletti
Cover of the book The British Isles by John T. Paoletti
Cover of the book Federalism in Greek Antiquity by John T. Paoletti
Cover of the book Advances in Economics and Econometrics: Volume 3, Econometrics by John T. Paoletti
Cover of the book Earth History and Palaeogeography by John T. Paoletti
Cover of the book Interpreting Maimonides by John T. Paoletti
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy