| Author: | Helen Guri | ISBN: | 9781770562820 |
| Publisher: | Coach House Books | Publication: | September 13, 2011 |
| Imprint: | Coach House Books | Language: | English |
| Author: | Helen Guri |
| ISBN: | 9781770562820 |
| Publisher: | Coach House Books |
| Publication: | September 13, 2011 |
| Imprint: | Coach House Books |
| Language: | English |
Finalist for the 2012 Trillium Book Award for Poetry
Robert Brand has given up on real women. Relationships just haven't ever worked out well for him. He has, however, found a (somewhat problematic) solution, a new feminine ideal: the 110-pound sex doll he ordered over the internet.
Showing an uncanny access to the voice of the rejected, unimpressive, emotionally challenged modern male, Helen Guri's debut collection explores Robert's transition from lost and lonely to loved, if only by the increasingly acrobatic voices in his mind. Match's touching, whip-smart poems chart the limits of the mind/body relationship in decidedly virtual times. Does our hero's lovesick, wry, self-searching and often self-annihilating gaze signal some catastrophic aversion to depth or a feverish (if unsettling) reassertion of the romantic impulse? Can anything good really happen when the object of one's affection is, literally, an object? And if she looks like a human being, can you ever know for sure she isn't one? Equal parts love story, social parody and radiant display of lyrical gymnastics, Match announces the arrival of a daring, forthright and stubbornly original new talent.
Finalist for the 2012 Trillium Book Award for Poetry
Robert Brand has given up on real women. Relationships just haven't ever worked out well for him. He has, however, found a (somewhat problematic) solution, a new feminine ideal: the 110-pound sex doll he ordered over the internet.
Showing an uncanny access to the voice of the rejected, unimpressive, emotionally challenged modern male, Helen Guri's debut collection explores Robert's transition from lost and lonely to loved, if only by the increasingly acrobatic voices in his mind. Match's touching, whip-smart poems chart the limits of the mind/body relationship in decidedly virtual times. Does our hero's lovesick, wry, self-searching and often self-annihilating gaze signal some catastrophic aversion to depth or a feverish (if unsettling) reassertion of the romantic impulse? Can anything good really happen when the object of one's affection is, literally, an object? And if she looks like a human being, can you ever know for sure she isn't one? Equal parts love story, social parody and radiant display of lyrical gymnastics, Match announces the arrival of a daring, forthright and stubbornly original new talent.
