Making Lemonade out of Everything

Fiction & Literature
Cover of the book Making Lemonade out of Everything by J. Wayne Stillwell, AuthorHouse
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Author: J. Wayne Stillwell ISBN: 9781504908061
Publisher: AuthorHouse Publication: April 22, 2015
Imprint: AuthorHouse Language: English
Author: J. Wayne Stillwell
ISBN: 9781504908061
Publisher: AuthorHouse
Publication: April 22, 2015
Imprint: AuthorHouse
Language: English

This book is a first-person account about growing up poor in small-town America. It is a diary of sorts, a memoir, about life as perceived by a fictional boy from a fictional family living in a fictional town. The chapters are compilations of similar experiences and venues about school, girls, family, living without money, and social challenges. Making lemonade out of everything is a figure of speech, a metaphor for how people make do with nothing. For example, integrating Chevy parts into a Ford; making a wheel barrel out of oak, nails, and a lawn mower wheel; feeding a family for under ten dollars a week; and entertaining yourself on a rainy Saturday playing with Moms clothespins and pie pans. The context for the story is introduced through third-party narration in chapters 1 and 2 and then transitions to a first-party account by a boy named William Seabold. Everyone called him Bill.

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This book is a first-person account about growing up poor in small-town America. It is a diary of sorts, a memoir, about life as perceived by a fictional boy from a fictional family living in a fictional town. The chapters are compilations of similar experiences and venues about school, girls, family, living without money, and social challenges. Making lemonade out of everything is a figure of speech, a metaphor for how people make do with nothing. For example, integrating Chevy parts into a Ford; making a wheel barrel out of oak, nails, and a lawn mower wheel; feeding a family for under ten dollars a week; and entertaining yourself on a rainy Saturday playing with Moms clothespins and pie pans. The context for the story is introduced through third-party narration in chapters 1 and 2 and then transitions to a first-party account by a boy named William Seabold. Everyone called him Bill.

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