Los Angeles Documentary and the Production of Public History, 1958-1977

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts
Cover of the book Los Angeles Documentary and the Production of Public History, 1958-1977 by Joshua Glick, University of California Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Joshua Glick ISBN: 9780520966918
Publisher: University of California Press Publication: January 19, 2018
Imprint: University of California Press Language: English
Author: Joshua Glick
ISBN: 9780520966918
Publisher: University of California Press
Publication: January 19, 2018
Imprint: University of California Press
Language: English

Los Angeles Documentary and the Production of Public History, 1958–1977 explores how documentarians working between the election of John F. Kennedy and the Bicentennial created conflicting visions of the recent and more distant American past. Drawing on a wide range of primary documents, Joshua Glick analyzes the films of Hollywood documentarians such as David Wolper and Mel Stuart, along with lesser-known independents and activists such as Kent Mackenzie, Lynne Littman, and Jesús Salvador Treviño. While the former group reinvigorated a Cold War cultural liberalism, the latter group advocated for social justice in a city plagued by severe class stratification and racial segregation. Glick examines how mainstream and alternative filmmakers turned to the archives, civic institutions, and production facilities of Los Angeles in order to both change popular understandings of the city and shape the social consciousness of the nation.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Los Angeles Documentary and the Production of Public History, 1958–1977 explores how documentarians working between the election of John F. Kennedy and the Bicentennial created conflicting visions of the recent and more distant American past. Drawing on a wide range of primary documents, Joshua Glick analyzes the films of Hollywood documentarians such as David Wolper and Mel Stuart, along with lesser-known independents and activists such as Kent Mackenzie, Lynne Littman, and Jesús Salvador Treviño. While the former group reinvigorated a Cold War cultural liberalism, the latter group advocated for social justice in a city plagued by severe class stratification and racial segregation. Glick examines how mainstream and alternative filmmakers turned to the archives, civic institutions, and production facilities of Los Angeles in order to both change popular understandings of the city and shape the social consciousness of the nation.

More books from University of California Press

Cover of the book Global Outlaws by Joshua Glick
Cover of the book Earth Sound Earth Signal by Joshua Glick
Cover of the book Race for Empire by Joshua Glick
Cover of the book Signing the Body Poetic by Joshua Glick
Cover of the book The Secular Commedia by Joshua Glick
Cover of the book The Adventures of Tom Sawyer, 135th Anniversary Edition by Joshua Glick
Cover of the book Blue-Chip Black by Joshua Glick
Cover of the book Media Archaeology by Joshua Glick
Cover of the book Sexual Selections by Joshua Glick
Cover of the book The $800 Million Pill by Joshua Glick
Cover of the book History and the Testimony of Language by Joshua Glick
Cover of the book Renovating Democracy by Joshua Glick
Cover of the book Film Rhythm after Sound by Joshua Glick
Cover of the book Confessions of a Radical Chicano Doo-Wop Singer by Joshua Glick
Cover of the book Mosquito Trails by Joshua Glick
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy