Landscape and Gender in the Novels of Charlotte Brontë, George Eliot, and Thomas Hardy

The Body of Nature

Fiction & Literature, Literary Theory & Criticism
Cover of the book Landscape and Gender in the Novels of Charlotte Brontë, George Eliot, and Thomas Hardy by Eithne Henson, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Eithne Henson ISBN: 9781317108306
Publisher: Taylor and Francis Publication: April 22, 2016
Imprint: Routledge Language: English
Author: Eithne Henson
ISBN: 9781317108306
Publisher: Taylor and Francis
Publication: April 22, 2016
Imprint: Routledge
Language: English

Examining a wide range of representations of physical, metaphorical, and dream landscapes in Charlotte Brontë, George Eliot, and Thomas Hardy, Eithne Henson explores the way in which gender attitudes are expressed, both in descriptions of landscape as the human body and in ideas of nature. Henson discusses the influence of eighteenth-century aesthetic theory, particularly on Brontë and Eliot, and argues that Ruskinian aesthetics, Darwinism, and other scientific preoccupations of an industrializing economy, changed constructions of landscape in the later nineteenth century. Henson examines the conventions of reading landscape, including the implied expectations of the reader, the question of the gendered narrator, how place defines the kind of action and characters in the novels, the importance of landscape in creating mood, the pastoral as a moral marker for readers, and the influence of changing aesthetic theory on the implied painterly models that the three authors reproduce in their work. She also considers how each writer defines the concept of Englishness against an internal or colonial Other. Alongside these concerns, Henson interrogates the ancient trope that equates woman with nature, and the effect of comparing women to natural objects or offering them as objects of the male gaze, typically to diminish or control them. Informed by close readings, Henson's study offers an original approach to the significances of landscape in the 'realist' nineteenth-century novel.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Examining a wide range of representations of physical, metaphorical, and dream landscapes in Charlotte Brontë, George Eliot, and Thomas Hardy, Eithne Henson explores the way in which gender attitudes are expressed, both in descriptions of landscape as the human body and in ideas of nature. Henson discusses the influence of eighteenth-century aesthetic theory, particularly on Brontë and Eliot, and argues that Ruskinian aesthetics, Darwinism, and other scientific preoccupations of an industrializing economy, changed constructions of landscape in the later nineteenth century. Henson examines the conventions of reading landscape, including the implied expectations of the reader, the question of the gendered narrator, how place defines the kind of action and characters in the novels, the importance of landscape in creating mood, the pastoral as a moral marker for readers, and the influence of changing aesthetic theory on the implied painterly models that the three authors reproduce in their work. She also considers how each writer defines the concept of Englishness against an internal or colonial Other. Alongside these concerns, Henson interrogates the ancient trope that equates woman with nature, and the effect of comparing women to natural objects or offering them as objects of the male gaze, typically to diminish or control them. Informed by close readings, Henson's study offers an original approach to the significances of landscape in the 'realist' nineteenth-century novel.

More books from Taylor and Francis

Cover of the book Social Movements in the Balkans by Eithne Henson
Cover of the book Legislatures of Small States by Eithne Henson
Cover of the book Reconciling with the Past by Eithne Henson
Cover of the book The Psyche of the Body by Eithne Henson
Cover of the book Formulated Experiences by Eithne Henson
Cover of the book The Routledge Handbook of Philosophy of Pain by Eithne Henson
Cover of the book The Dynamics Of Foreign-policy Decisionmaking In China by Eithne Henson
Cover of the book Obama, the Media, and Framing the U.S. Exit from Iraq and Afghanistan by Eithne Henson
Cover of the book Towards A Jurisprudence of State Communism by Eithne Henson
Cover of the book Reconceptualizing Study in Educational Discourse and Practice by Eithne Henson
Cover of the book The Changing Politics of Finance in Korea and Thailand by Eithne Henson
Cover of the book Statistical Power Analysis with Missing Data by Eithne Henson
Cover of the book Oliver Wendell Holmes and Fixations of Manliness by Eithne Henson
Cover of the book Policing the Sex Industry by Eithne Henson
Cover of the book Energy for the 21st Century by Eithne Henson
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy