L'Abbe Constantin (Complete)

Nonfiction, Religion & Spirituality, New Age, History, Fiction & Literature
Cover of the book L'Abbe Constantin (Complete) by Ludovic Halévy, Library of Alexandria
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Ludovic Halévy ISBN: 9781465539489
Publisher: Library of Alexandria Publication: March 8, 2015
Imprint: Language: English
Author: Ludovic Halévy
ISBN: 9781465539489
Publisher: Library of Alexandria
Publication: March 8, 2015
Imprint:
Language: English
Ludovic Halevy was born in Paris, January 1, 1834. His father was Leon Halevy, the celebrated author; his grandfather, Fromenthal, the eminent composer. Ludovic was destined for the civil service, and, after finishing his studies, entered successively the Department of State (1852); the Algerian Department (1858), and later on became editorial secretary of the Corps Legislatif (1860). When his patron, the Duc de Morny, died in 1865, Halevy resigned, giving up a lucrative position for the uncertain profession of a playwright: At this period he devoted himself exclusively to the theatre. He had already written plays as early as 1856, and had also tried his hand at fiction, but did not meet with very great success. Toward 1860, however, he became acquainted with Henri Meilhac, and with him formed a kind of literary union, lasting for almost twenty years, when Halevy rather abruptly abandoned the theatre and became a writer of fiction. We have seen such kinds of co-partnerships, for instance, in Beaumont and Fletcher; more recently in the beautiful French tales of Erckmann-Chatrian, and still later in the English novels of Besant and Rice. Some say it was a fortunate event for Meilhac; others assert that Halevy reaped a great profit by the union. Be this as it may, a great number of plays-drama, comedy, farce, opera, operetta and ballet—were jointly produced, as is shown by the title-pages of two score or more of their pieces. When Ludovic Halevy was a candidate for L'Academie—he entered that glorious body in 1884—the question was ventilated by Pailleron: "What was the author's literary relation in his union with Meilhac?" It was answered by M. Sarcey, who criticised the character and quality of the work achieved. Public opinion has a long time since brought in quite another verdict in the case
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Ludovic Halevy was born in Paris, January 1, 1834. His father was Leon Halevy, the celebrated author; his grandfather, Fromenthal, the eminent composer. Ludovic was destined for the civil service, and, after finishing his studies, entered successively the Department of State (1852); the Algerian Department (1858), and later on became editorial secretary of the Corps Legislatif (1860). When his patron, the Duc de Morny, died in 1865, Halevy resigned, giving up a lucrative position for the uncertain profession of a playwright: At this period he devoted himself exclusively to the theatre. He had already written plays as early as 1856, and had also tried his hand at fiction, but did not meet with very great success. Toward 1860, however, he became acquainted with Henri Meilhac, and with him formed a kind of literary union, lasting for almost twenty years, when Halevy rather abruptly abandoned the theatre and became a writer of fiction. We have seen such kinds of co-partnerships, for instance, in Beaumont and Fletcher; more recently in the beautiful French tales of Erckmann-Chatrian, and still later in the English novels of Besant and Rice. Some say it was a fortunate event for Meilhac; others assert that Halevy reaped a great profit by the union. Be this as it may, a great number of plays-drama, comedy, farce, opera, operetta and ballet—were jointly produced, as is shown by the title-pages of two score or more of their pieces. When Ludovic Halevy was a candidate for L'Academie—he entered that glorious body in 1884—the question was ventilated by Pailleron: "What was the author's literary relation in his union with Meilhac?" It was answered by M. Sarcey, who criticised the character and quality of the work achieved. Public opinion has a long time since brought in quite another verdict in the case

More books from Library of Alexandria

Cover of the book The Hermetic Arcanum: The Secret Work of The Hermetic Philosophy, Wherein The Secrets of Nature and Art Concerning The Matter of The Philosophers' Stone and The Manner of Working are Explained in an AuThentic and Orderly Manner by Ludovic Halévy
Cover of the book For the Master's Sake: A Story of the Days of Queen Mary by Ludovic Halévy
Cover of the book The Gypsies by Ludovic Halévy
Cover of the book The Life of Our Lord in Simple Language for Little Children by Ludovic Halévy
Cover of the book The Mummy's Foot by Ludovic Halévy
Cover of the book Chambers's Twentieth Century Dictionary (part 1 of 4: A-D) by Ludovic Halévy
Cover of the book Salvation Syrup by Ludovic Halévy
Cover of the book Curiosities of History: Boston, September Seventeenth, 1630-1880 by Ludovic Halévy
Cover of the book The Life of Benjamin Franklin: Illustrated by Tales, Sketches and Anecdotes by Ludovic Halévy
Cover of the book The Man Between by Ludovic Halévy
Cover of the book The Girl From the Marsh Croft by Ludovic Halévy
Cover of the book Uncle Sam Abroad by Ludovic Halévy
Cover of the book Mystery Tales Including Stories by Feodor Mikhailovitch Dostoyevsky, Jörgen Wilhelm Bergsöe and Bernhard Severin Ingemann by Ludovic Halévy
Cover of the book Voyage Autour de Mon Jardin by Ludovic Halévy
Cover of the book Memoirs of the Marchioness of Pompadour (Complete) by Ludovic Halévy
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy