Korean Masculinities and Transcultural Consumption


Cover of the book Korean Masculinities and Transcultural Consumption by Hong Kong University Press, Hong Kong University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Hong Kong University Press ISBN: 9789888180226
Publisher: Hong Kong University Press Publication: December 15, 2009
Imprint: Language: English
Author: Hong Kong University Press
ISBN: 9789888180226
Publisher: Hong Kong University Press
Publication: December 15, 2009
Imprint:
Language: English

South Korean masculinities have enjoyed dramatically greater influence in recent years in many realms of pan-Asian popular culture, which travels freely in part because of its hybrid trans-nationalistic appeal. This book investigates transcultural consumption of three iconic figures — the middle-aged Japanese female fandom of actor Bae Yong-Joon, the Western online cult fandom of the thriller film Oldboy, and the Singaporean fandom of the pop-star Rain. Through these three specific but hybrid contexts, the author develops the concepts of soft masculinity, as well as global and postmodern variants of masculine cultural impacts. In the concluding chapter, the author also discusses recently emerging versatile masculinity within the transcultural pop production paradigm represented by K-pop idol boy bands.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

South Korean masculinities have enjoyed dramatically greater influence in recent years in many realms of pan-Asian popular culture, which travels freely in part because of its hybrid trans-nationalistic appeal. This book investigates transcultural consumption of three iconic figures — the middle-aged Japanese female fandom of actor Bae Yong-Joon, the Western online cult fandom of the thriller film Oldboy, and the Singaporean fandom of the pop-star Rain. Through these three specific but hybrid contexts, the author develops the concepts of soft masculinity, as well as global and postmodern variants of masculine cultural impacts. In the concluding chapter, the author also discusses recently emerging versatile masculinity within the transcultural pop production paradigm represented by K-pop idol boy bands.

More books from Hong Kong University Press

Cover of the book Lao She in London by Hong Kong University Press
Cover of the book Southern Identity and Southern Estrangement in Medieval Chinese Poetry by Hong Kong University Press
Cover of the book Imperial to International by Hong Kong University Press
Cover of the book Johnnie To Kei-Fung's PTU by Hong Kong University Press
Cover of the book Scottish Mandarin by Hong Kong University Press
Cover of the book Empires of Panic by Hong Kong University Press
Cover of the book Paper Scissors Stone by Hong Kong University Press
Cover of the book East Sails West by Hong Kong University Press
Cover of the book Ann Huis Song of the Exile by Hong Kong University Press
Cover of the book The Dynamics of Beijing-Hong Kong Relations by Hong Kong University Press
Cover of the book Taxation Without Representation by Hong Kong University Press
Cover of the book John Woo's The Killer by Hong Kong University Press
Cover of the book Hong Kong's Housing Policy by Hong Kong University Press
Cover of the book Knowledge Is Pleasure by Hong Kong University Press
Cover of the book Christian Encounters with Chinese Culture by Hong Kong University Press
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy