Known for My Work

African American Ethics from Slavery to Freedom

Nonfiction, Social & Cultural Studies, Social Science, Discrimination & Race Relations, Cultural Studies, African-American Studies, History, Americas, United States
Cover of the book Known for My Work by Lynda J. Morgan, University Press of Florida
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Author: Lynda J. Morgan ISBN: 9780813063461
Publisher: University Press of Florida Publication: March 1, 2018
Imprint: University Press of Florida Language: English
Author: Lynda J. Morgan
ISBN: 9780813063461
Publisher: University Press of Florida
Publication: March 1, 2018
Imprint: University Press of Florida
Language: English

“Demonstrates that the ‘emancipation generation’ bequeathed values, ethical frameworks, and identities to multiple ensuing generations, shaping religious, educational, and cultural institutions as well as labor and political organizations.”—Peter Rachleff, editor of Starving Amidst Too Much and Other IWW Writings on the Food Industry
 
“Shows how far off the mark arguments are that claim that black Americans generally have internalized inferiority and engage in self-defeating behaviors.”—William A. Darity Jr., coeditor of Boundaries of Clan and Color: Transnational Comparisons of Inter-Group Disparity
 
In Known for My Work, Lynda Morgan looks beyond slavery’s legacy of racial and economic inequality and counters the idea that slaves were unprepared for freedom. By examining African American social and intellectual thought, Morgan highlights how slaves built an ethos of “honest labor” and collective humanism. As moral economists, slaves and their descendants insisted that economic motives formed the foundation of their exploitation and made sophisticated arguments about the appropriate role of labor in a just and democratic society.

Morgan considers how slaves evaluated the violence, coercions, and deceits employed by slaveholders as means to maintain power, as well as the ways in which fugitive slaves active in the abolition movement stressed to nonslaveholding audiences how they were complicit in a regime fraught with moral decay. She also points to the racial rhetoric of Jim Crow architects and how it was readily identified as elaborating on slave-era racial propaganda in new ways for an old reason: to establish a rigid economic inequality in the Industrial Revolution.

From the late antebellum era through Reconstruction, labor organizing in the 1930s and 1940s, the civil rights movement of the 1960s and 1970s, and the reparations movement of the twenty-first century, Morgan offers an unprecedented view of African America. What emerges from the literature is a clear critique of racism, an embrace of self-defense, and the belief that they deserved reparations for lost labor. Enslaved laborers thought for themselves, imagined themselves, and made themselves. Moreover, their descendants share this moral legacy as a foundation for citizenship and participation in democracy.
 
 

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“Demonstrates that the ‘emancipation generation’ bequeathed values, ethical frameworks, and identities to multiple ensuing generations, shaping religious, educational, and cultural institutions as well as labor and political organizations.”—Peter Rachleff, editor of Starving Amidst Too Much and Other IWW Writings on the Food Industry
 
“Shows how far off the mark arguments are that claim that black Americans generally have internalized inferiority and engage in self-defeating behaviors.”—William A. Darity Jr., coeditor of Boundaries of Clan and Color: Transnational Comparisons of Inter-Group Disparity
 
In Known for My Work, Lynda Morgan looks beyond slavery’s legacy of racial and economic inequality and counters the idea that slaves were unprepared for freedom. By examining African American social and intellectual thought, Morgan highlights how slaves built an ethos of “honest labor” and collective humanism. As moral economists, slaves and their descendants insisted that economic motives formed the foundation of their exploitation and made sophisticated arguments about the appropriate role of labor in a just and democratic society.

Morgan considers how slaves evaluated the violence, coercions, and deceits employed by slaveholders as means to maintain power, as well as the ways in which fugitive slaves active in the abolition movement stressed to nonslaveholding audiences how they were complicit in a regime fraught with moral decay. She also points to the racial rhetoric of Jim Crow architects and how it was readily identified as elaborating on slave-era racial propaganda in new ways for an old reason: to establish a rigid economic inequality in the Industrial Revolution.

From the late antebellum era through Reconstruction, labor organizing in the 1930s and 1940s, the civil rights movement of the 1960s and 1970s, and the reparations movement of the twenty-first century, Morgan offers an unprecedented view of African America. What emerges from the literature is a clear critique of racism, an embrace of self-defense, and the belief that they deserved reparations for lost labor. Enslaved laborers thought for themselves, imagined themselves, and made themselves. Moreover, their descendants share this moral legacy as a foundation for citizenship and participation in democracy.
 
 

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