Knock Me Up, Knock Me Down

Images of Pregnancy in Hollywood Films

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts, Religion & Spirituality, Philosophy
Cover of the book Knock Me Up, Knock Me Down by Kelly Oliver, Columbia University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Kelly Oliver ISBN: 9780231530705
Publisher: Columbia University Press Publication: October 9, 2012
Imprint: Columbia University Press Language: English
Author: Kelly Oliver
ISBN: 9780231530705
Publisher: Columbia University Press
Publication: October 9, 2012
Imprint: Columbia University Press
Language: English

No longer is pregnancy a repulsive or shameful condition in Hollywood films, but an attractive attribute, often enhancing the romantic or comedic storyline of a female character. Kelly Oliver investigates this curious shift and its reflection of changing attitudes toward women's roles in reproduction and the family. Not all representations signify progress. Oliver finds that in many pregnancy films, our anxieties over modern reproductive practices and technologies are made manifest, and in some cases perpetuate conventions curtailing women's freedom. Reading such films as Where the Heart Is (2000), Riding in Cars with Boys (2001), Palindromes (2004), Saved! (2004), QuinceaƱera (2006), Children of Men (2006), Knocked Up (2007), Juno (2007), Baby Mama (2008), Away We Go (2009), Precious (2009), The Back-up Plan (2010), Due Date (2010), and Twilight: Breaking Dawn (2011), Oliver investigates pregnancy as a vehicle for romance, a political issue of "choice," a representation of the hosting of "others," a prism for fears of miscegenation, and a screen for modern technological anxieties.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

No longer is pregnancy a repulsive or shameful condition in Hollywood films, but an attractive attribute, often enhancing the romantic or comedic storyline of a female character. Kelly Oliver investigates this curious shift and its reflection of changing attitudes toward women's roles in reproduction and the family. Not all representations signify progress. Oliver finds that in many pregnancy films, our anxieties over modern reproductive practices and technologies are made manifest, and in some cases perpetuate conventions curtailing women's freedom. Reading such films as Where the Heart Is (2000), Riding in Cars with Boys (2001), Palindromes (2004), Saved! (2004), QuinceaƱera (2006), Children of Men (2006), Knocked Up (2007), Juno (2007), Baby Mama (2008), Away We Go (2009), Precious (2009), The Back-up Plan (2010), Due Date (2010), and Twilight: Breaking Dawn (2011), Oliver investigates pregnancy as a vehicle for romance, a political issue of "choice," a representation of the hosting of "others," a prism for fears of miscegenation, and a screen for modern technological anxieties.

More books from Columbia University Press

Cover of the book Black & White & Noir by Kelly Oliver
Cover of the book Consumed Nostalgia by Kelly Oliver
Cover of the book The Columbia Companion to Modern East Asian Literature by Kelly Oliver
Cover of the book Manchu Princess, Japanese Spy by Kelly Oliver
Cover of the book Social Work and Human Rights by Kelly Oliver
Cover of the book Exemplary Women of Early China by Kelly Oliver
Cover of the book Eastern Sentiments by Kelly Oliver
Cover of the book Women in Iraq by Kelly Oliver
Cover of the book The Church Confronts Modernity by Kelly Oliver
Cover of the book Law and the Wealth of Nations by Kelly Oliver
Cover of the book Reforming the International Financial System for Development by Kelly Oliver
Cover of the book Translating Mount Fuji by Kelly Oliver
Cover of the book Business Secrets of the Trappist Monks by Kelly Oliver
Cover of the book The Hillary Doctrine by Kelly Oliver
Cover of the book Doubting the Devout by Kelly Oliver
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy