King Eric and The Outlaws, Or, The Throne, The Church and The People in The Thirteenth Century (Complete)

Nonfiction, Religion & Spirituality, New Age, History, Fiction & Literature
Cover of the book King Eric and The Outlaws, Or, The Throne, The Church and The People in The Thirteenth Century (Complete) by Bernhard Severin ingemann, Library of Alexandria
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Bernhard Severin ingemann ISBN: 9781465528582
Publisher: Library of Alexandria Publication: March 8, 2015
Imprint: Language: English
Author: Bernhard Severin ingemann
ISBN: 9781465528582
Publisher: Library of Alexandria
Publication: March 8, 2015
Imprint:
Language: English
The historical records and traditions of Denmark, as well as The modern productions of Danish genius, are almost equally unknown to The general reader is England. While German, Swedish, and Italian works of any recognised merit, readily find translators, and The ancient ballads of Spain have received Their English dress from an able and poetic pen, it appears somewhat singular that so little notice has hiTherto been bestowed on The literature of a country, whose rich historical recollections are so closely interwoven with those of Anglo-Saxon England. Though but little known in Other lands, The ancient traditional lore of Scandinavia is neverTheless The source from which some of The most distinguished Danish writers of The present day, have selected Their happiest Themes, and drawn Their brightest inspiration. The influence of The Saga, or traditional romance of Scandinavia, and of The “Kjœmpe Visé,” or heroic ballad, is peculiarly apparent in The works of M. ingemann. The close adherence to historic outline—The development of character by action and dialogue—The delineation of scenery by brief though vivid sketches, in preference to elaborate description, are characteristics of Saga romance which M. ingemann has been eminently successful in imparting to his own delineations of The chivalrous age of Denmark. The Kjœmpe Visé, or heroic ballads which succeeded to The S aga in The North, and bear The impress of a kindred spirit, contain a store of historic tradition, and poetic incident, equally valuable to The antiquary who delights to trace The customs and manners of a remote age, and to The poet who seeks his inspiration from The historic muse of his FaTherland.
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
The historical records and traditions of Denmark, as well as The modern productions of Danish genius, are almost equally unknown to The general reader is England. While German, Swedish, and Italian works of any recognised merit, readily find translators, and The ancient ballads of Spain have received Their English dress from an able and poetic pen, it appears somewhat singular that so little notice has hiTherto been bestowed on The literature of a country, whose rich historical recollections are so closely interwoven with those of Anglo-Saxon England. Though but little known in Other lands, The ancient traditional lore of Scandinavia is neverTheless The source from which some of The most distinguished Danish writers of The present day, have selected Their happiest Themes, and drawn Their brightest inspiration. The influence of The Saga, or traditional romance of Scandinavia, and of The “Kjœmpe Visé,” or heroic ballad, is peculiarly apparent in The works of M. ingemann. The close adherence to historic outline—The development of character by action and dialogue—The delineation of scenery by brief though vivid sketches, in preference to elaborate description, are characteristics of Saga romance which M. ingemann has been eminently successful in imparting to his own delineations of The chivalrous age of Denmark. The Kjœmpe Visé, or heroic ballads which succeeded to The S aga in The North, and bear The impress of a kindred spirit, contain a store of historic tradition, and poetic incident, equally valuable to The antiquary who delights to trace The customs and manners of a remote age, and to The poet who seeks his inspiration from The historic muse of his FaTherland.

More books from Library of Alexandria

Cover of the book T'ai-Shang Kan-Ying P'ien by Bernhard Severin ingemann
Cover of the book Melbourne House (Complete) by Bernhard Severin ingemann
Cover of the book The Non-Christian Cross: An Enquiry into The Origin and History of The Symbol Eventually Adopted as That of Our Religion by Bernhard Severin ingemann
Cover of the book When a Man Comes to Himself by Bernhard Severin ingemann
Cover of the book Across Mongolian Plains: a Naturalist's Account of China's 'Great Northwest' by Bernhard Severin ingemann
Cover of the book The Rise of Canada, From Barbarism to Wealth and Civilisation by Bernhard Severin ingemann
Cover of the book An Attic Philosopher in Paris (Complete) by Bernhard Severin ingemann
Cover of the book A Bibliographical, Antiquarian and Picturesque Tour in France and Germany, Volume Two by Bernhard Severin ingemann
Cover of the book The American Republic: Constitution, Tendencies and Destiny by Bernhard Severin ingemann
Cover of the book A Court of Inquiry by Bernhard Severin ingemann
Cover of the book Incidents of Travel in Yucatan (Complete) by Bernhard Severin ingemann
Cover of the book Zigzag Journeys in the Camel Country: Arabia in Picture and Story by Bernhard Severin ingemann
Cover of the book The Sword of Gideon by Bernhard Severin ingemann
Cover of the book The Religion of the Indians of California by Bernhard Severin ingemann
Cover of the book Turkish Harems & Circassian Homes by Bernhard Severin ingemann
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy