Kane's Son. Males and Masculinity in 'Alien'

Males and masculinity in 'Alien'

Nonfiction, Entertainment, Drama, Anthologies
Cover of the book Kane's Son. Males and Masculinity in 'Alien' by Rebecca Schuster, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Rebecca Schuster ISBN: 9783638001090
Publisher: GRIN Publishing Publication: February 12, 2008
Imprint: GRIN Publishing Language: English
Author: Rebecca Schuster
ISBN: 9783638001090
Publisher: GRIN Publishing
Publication: February 12, 2008
Imprint: GRIN Publishing
Language: English

Seminar paper from the year 2006 in the subject American Studies - Culture and Applied Geography, grade: 1,0, Friedrich-Alexander University Erlangen-Nuremberg, 8 entries in the bibliography, language: English, abstract: INTRODUCTION Since Alien first appeared on screen in 1979, there have been many studies about it, covering every imaginable interpretation possible. There was a focus especially on gender theory and femininity studies - essays on a lesbian point of view, the abject mother and monstrous femininity. Even about male homoerotic aspects, obviously with special emphasis on AlienĀ³. Astoundingly enough there is far less material about a male heterosexual approach to the movies. Therefore, my task in this essay will be to look at the Alien movies - with a main focus on the original and the second part - from a different point of view. (...) 1.1 ALIEN AND THE UNCANNY Why is it that some things scare us, whereas other things do not bother us at all? One may look and find a possible answer to this question in Sigmund Freud's treatise on the uncanny. One aspect that might help is Freud's assumptions that people always 'experience the feeling [of the uncanny] in the highest degree in relation to death and dead bodies, to the return of the dead, and to spirits and ghosts.' This notion becomes important when one takes a closer look at the Alien's body. H.R. Giger's creation consists to a great part of (humanlike) bones. The Alien's chest looks like an uncovered human ribcage, while the legs look as if they just consist of muscles and veins with the outer skin stripped of (Fig.1). (...) 2. THE MASCULINE ALIEN All of the Alien movies - with a possible exception of Alien Resurrection - are full of metaphoric images. Many of them are due to artist H.R. Giger, who was mainly responsible for the creation of the foreign planet, spaceships and the Alien itself. Most of those images are sexual connoted allegories. The chair-like construction of the alien pilot, for example, resembles an erect penis. The same is true for the Alien itself, but although we find allegories for both genders throughout the movies, most of the theorists who wrote about them cling to the notion, that the foreign - the alien/Alien - is female.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2006 in the subject American Studies - Culture and Applied Geography, grade: 1,0, Friedrich-Alexander University Erlangen-Nuremberg, 8 entries in the bibliography, language: English, abstract: INTRODUCTION Since Alien first appeared on screen in 1979, there have been many studies about it, covering every imaginable interpretation possible. There was a focus especially on gender theory and femininity studies - essays on a lesbian point of view, the abject mother and monstrous femininity. Even about male homoerotic aspects, obviously with special emphasis on AlienĀ³. Astoundingly enough there is far less material about a male heterosexual approach to the movies. Therefore, my task in this essay will be to look at the Alien movies - with a main focus on the original and the second part - from a different point of view. (...) 1.1 ALIEN AND THE UNCANNY Why is it that some things scare us, whereas other things do not bother us at all? One may look and find a possible answer to this question in Sigmund Freud's treatise on the uncanny. One aspect that might help is Freud's assumptions that people always 'experience the feeling [of the uncanny] in the highest degree in relation to death and dead bodies, to the return of the dead, and to spirits and ghosts.' This notion becomes important when one takes a closer look at the Alien's body. H.R. Giger's creation consists to a great part of (humanlike) bones. The Alien's chest looks like an uncovered human ribcage, while the legs look as if they just consist of muscles and veins with the outer skin stripped of (Fig.1). (...) 2. THE MASCULINE ALIEN All of the Alien movies - with a possible exception of Alien Resurrection - are full of metaphoric images. Many of them are due to artist H.R. Giger, who was mainly responsible for the creation of the foreign planet, spaceships and the Alien itself. Most of those images are sexual connoted allegories. The chair-like construction of the alien pilot, for example, resembles an erect penis. The same is true for the Alien itself, but although we find allegories for both genders throughout the movies, most of the theorists who wrote about them cling to the notion, that the foreign - the alien/Alien - is female.

More books from GRIN Publishing

Cover of the book Media and Terrorism by Rebecca Schuster
Cover of the book 'The Beast with Two Backs'. Race and Racism in Shakespeare's 'Othello' by Rebecca Schuster
Cover of the book Supply Chain Management for production industry by Rebecca Schuster
Cover of the book Critical examination of the characteristics, tactics, opponents and policy impact of a national interest group operating in the USA today by Rebecca Schuster
Cover of the book Discuss the distribution of genetic diversity found in human and chimpanzee populations by Rebecca Schuster
Cover of the book Lewis W. Hine's Social Photography - Immigrants at Ellis Island 1904-1909 by Rebecca Schuster
Cover of the book The effects of legislation on the municipal solid waste management in the European Union in the context of greenhouse gas emissions by Rebecca Schuster
Cover of the book The Issue of Jerusalem by Rebecca Schuster
Cover of the book On the rhetoric of GMOs. Ethos, Logos and Pathos by Rebecca Schuster
Cover of the book Wilhelm Andreaes Verständnis des italienischen Faschismus in der Zeit der Weimarer Republik by Rebecca Schuster
Cover of the book James Joyce: The Situation of Women in 'Dubliners' in special View of 'Eveline' by Rebecca Schuster
Cover of the book NBC terrorism since the end of the Cold War - myths and realities by Rebecca Schuster
Cover of the book Somalia - A Model for Collapsed State by Rebecca Schuster
Cover of the book From Celtic, Etruscan and Roman Hands: The Po River Valley and Modena (Mutina) by Rebecca Schuster
Cover of the book The Role of Racism in the 20th Century United States by Rebecca Schuster
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy