Jordaens: Drawings Colour Plates

Nonfiction, Home & Garden, Crafts & Hobbies, Art Technique, Drawing, Art & Architecture, General Art
Cover of the book Jordaens: Drawings Colour Plates by Maria Peitcheva, Maria Peitcheva
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Maria Peitcheva ISBN: 9788892545601
Publisher: Maria Peitcheva Publication: January 17, 2016
Imprint: Language: English
Author: Maria Peitcheva
ISBN: 9788892545601
Publisher: Maria Peitcheva
Publication: January 17, 2016
Imprint:
Language: English

Jacob Jordaens was one of three Flemish Baroque painters, along with Peter Paul Rubens and Anthony van Dyck, to bring prestige to the Antwerp school of painting. Like Rubens, Jordaens painted altarpieces, mythological, and allegorical scenes, and after 1640—the year Rubens died — he was the most important painter in Antwerp for large-scale commissions and the status of his patrons increased in general. Besides a large output of monumental oil paintings he was a prolific tapestry designer, a career that reflects his early training as a "watercolor" painter. Jordaens' importance can also be seen by his number of pupils; the Guild of St. Luke records fifteen official pupils from 1621 to 1667, but six others were recorded as pupils in court documents and not the Guild records, so it is probable that he had more students than officially recorded. Among them were his cousin and his son Jacob.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Jacob Jordaens was one of three Flemish Baroque painters, along with Peter Paul Rubens and Anthony van Dyck, to bring prestige to the Antwerp school of painting. Like Rubens, Jordaens painted altarpieces, mythological, and allegorical scenes, and after 1640—the year Rubens died — he was the most important painter in Antwerp for large-scale commissions and the status of his patrons increased in general. Besides a large output of monumental oil paintings he was a prolific tapestry designer, a career that reflects his early training as a "watercolor" painter. Jordaens' importance can also be seen by his number of pupils; the Guild of St. Luke records fifteen official pupils from 1621 to 1667, but six others were recorded as pupils in court documents and not the Guild records, so it is probable that he had more students than officially recorded. Among them were his cousin and his son Jacob.

More books from Maria Peitcheva

Cover of the book Francois Boucher: 272 Plates by Maria Peitcheva
Cover of the book Van Gogh Drawings:Colour Plates by Maria Peitcheva
Cover of the book Modigliani: Drawings 102 Colour Plates by Maria Peitcheva
Cover of the book Felicien Rops: 203 Plates by Maria Peitcheva
Cover of the book William Blake Drawings: Colour Plates by Maria Peitcheva
Cover of the book Giovanni Boldini: 215 Plates by Maria Peitcheva
Cover of the book Odilon Redon: Drawings Colour Plates by Maria Peitcheva
Cover of the book Durer: Drawings Colour Plates by Maria Peitcheva
Cover of the book Francisco Goya: 320 Plates by Maria Peitcheva
Cover of the book Raphael: Drawings Colour Plates by Maria Peitcheva
Cover of the book Burne Jones: Drawings 151 Colour Plates by Maria Peitcheva
Cover of the book Murillo: Drawings Colour Plates by Maria Peitcheva
Cover of the book Nathaniel Dance: Drawings Colour Plates by Maria Peitcheva
Cover of the book Adolph Menzel: 185 Colour Plates by Maria Peitcheva
Cover of the book Gericault: 178 Colour Plates by Maria Peitcheva
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy